Thomas Morley
Thomas Morley (1557 – early October 1602) was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. Referring to the strong Italian influence on the English madrigal, The New Grove Dictionary of Music and Musicians states that Morley was "chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music."
Living in London at the same time as Shakespeare, Morley was the most famous composer of secular music in Elizabethan England. He and Robert Johnson are the composers of the only surviving contemporary settings of verse by Shakespeare.
Morley was active in church music as a singer, composer and organist at St Paul's Cathedral. He was also involved in music publishing. From 1598 up to his death he held a printing patent (a type of monopoly). He used the monopoly in partnership with professional music printers such as Thomas East.
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April Is in My Mistress' Face - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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Clorinda False - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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Why Sit I Here, Alas, Complaining - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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Since My Tears And Lamenting - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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Help I Fall - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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Lady, Why Grieve You Still Me - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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In Dew Of Roses - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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In Ev'ry Place - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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Now Is The Gentle Season - First Part, Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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The Fields Abroad - Second Part, Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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Come, Lovers, Follow Me - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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O No, Thou Dost But Flout Me - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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I Will No More Come To Thee - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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Besides A Fountain - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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Sport We My Lovely Treasure - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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Hark, Jolly Shepherds - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 1 See, See, Myne Owne Sweet Jewel (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 2 Oy, Joy doth so arise (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 3 Crewell you pull away to soone (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 4 Ladie, those eies (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 5 Hould out my hart (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 6 Good morrow, fayre ladies of the May (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 7 Whither awaie so fast (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 8 Blow, Shepherds, blow (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 9 Deep lamenting (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 10 Farewell disdainfull (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 11 O flye not (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 12 Thirsis (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 13 Now must I dye (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 14 Lady if I through griefe (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 15 Cease mine eyes (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 16 Doe you not know (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 17 Where art thou wanton (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 18 What ayles my darling (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 19 Say deere, will you not have me (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 20 Arise, get up my deere (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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Canzonet in C Major, ITM. 83: No. 21 Love learns by laughing (Arr. for Piano Solo) - Morley: La Barbe du Prisonnier -
Thomas Morley
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