Laurence Equilbey
Laurence Equilbey (born 6 March 1962) is a French conductor, known for her work in the choral repertoire, and more recently as the founder and music director of the Insula Orchestra. She also founded the chamber choir Accentus in 1991, and has conducted commercial recordings for such labels as Naïve Records. Equilbey invented the "e-tuner", an electronic means of tuning quarter tones and 1/3 tones.
-
Mozart: Lucio Silla, K. 135, Overture, Pt. 1: Molto allegro - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Overture, Pt. 2: Andante - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Overture, Pt. 3: Molto allegro - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 1: "Oh ciel, l'amico Cinna" (Cecilio, Cinna) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 1: "Vieni ov’amor t’invita" (Cinna) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 1: "Dunque sperar poss’io" (Cecilio) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 1: "Il tenero momento" (Cecilio) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 1: "Se lusinghiera speme" (Celia) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 1: "Del genitor estinto" (Giunia) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 1: "Dalla sponda tenebrosa" (Giunia) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 1: "Un dittatore così s’insulta" (Silla) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 1: "Il desio di vendetta, e di morte" (Silla) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 1: "Morte, morte fatal" (Cecilio) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 1: "Fuor di queste urne dolenti" - "O del padre ombra diletta" (Chorus, Giunia) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 1: "Se l’empio Silla, o padre" (Giunia, Cecilio) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 1: "D’Eliso in sen m’attendi" (Giunia, Cecilio) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 2: "Il braccio mio non ritener" (Cecilio, Cinna) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 2: "Cecilio, a che t’arresti presso la tomba mia?" (Cecilio) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, At 2: "Quest’improvviso tremito" (Cecilio) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, At 2: "Al letto segui l’empio" (Cinna, Giunia) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 2: "Vanne. T’affretta" (Giunia) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 2: "Ah se il crudel periglio" (Giunia) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, At 2: "Ah sì, scuotasi omai" (Cinna) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, At 2: "Nel fortunato istante" (Cinna) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, At 2: "E puoi?" (Silla, Giunia) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 2: "D’ogni pietà mi spoglio perfida" (Silla) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 2: "Il mio germano" (Celia) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 2: "Quando sugl’arsi campi" (Celia) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 2: "In un istante oh come s’accrebbe il mio timor!" (Giunia) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 2: "Se gloria il crin ti cinse" (Chorus) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 2: "Nella prigion più nera traggasi il reo" (Silla) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 2: "Quell'orgoglioso sdegno" (Silla, Cecilio, Giunia) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 3: "Strider sento la procella"(Celia) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 3: "Se il cor di Silla contro al dovere" (Cinna) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 3: "De’ più superbi il core" (Cinna) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 3: "Ah caro sposo... " (Giunia, Cecilio) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 3: "Pupille amate" (Cecilio) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 3: "Sposo... mia vita... " (Giunia) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 3: "Fra i pensier più funesti di morte" (Giunia) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 3: "Or l’atto illustre alfine decider dee" (Silla) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Mozart: Lucio Silla, K. 135, Act 3: "Il gran Silla" (Chorus, Tutti) - Mozart: Lucio Silla, K. 135 -
Laurence Equilbey
-
Weber: Der Freischütz, Op. 77: Overture - The Freischütz Project -
Laurence Equilbey
-
Weber: Der Freischütz, Op. 77, Act 1: "Viktoria, Viktoria!" (Chorus) - The Freischütz Project -
Laurence Equilbey
-
Weber: Der Freischütz, Op. 77, Act 1: "Schau' der Herr mich an als König!" (Kilian, Chorus) - The Freischütz Project -
Laurence Equilbey
-
Weber: Der Freischütz, Op. 77, Act 1: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen" (Max) - The Freischütz Project -
Laurence Equilbey
-
Weber: Der Freischütz, Op. 77, Act 1: "Schweig, schweig, damit dich niemand warnt!" (Kaspar) - The Freischütz Project -
Laurence Equilbey
-
Weber: Der Freischütz, Op. 77, Act 2: "Schelm! Halt' fest" (Ännchen, Agathe) - The Freischütz Project -
Laurence Equilbey
-
Weber: Der Freischütz, Op. 77, Act 2: "Kommt ein schlanker Bursch gegangen" (Ännchen) - The Freischütz Project -
Laurence Equilbey
-
Weber: Der Freischütz, Op. 77, Act 2: "Wie nahte mir der Schlummer" (Agathe) - The Freischütz Project -
Laurence Equilbey
-
Weber: Der Freischütz, Op. 77, Act 2: "The Wolf's Glen" (Kaspar, Max, Samiel, Chorus) - The Freischütz Project -
Laurence Equilbey
-
Weber: Der Freischütz, Op. 77, Act 3: "Und ob die Wolke sie verhülle" (Agathe) - The Freischütz Project -
Laurence Equilbey
-
Weber: Der Freischütz, Op. 77, Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen" (Ännchen) - The Freischütz Project -
Laurence Equilbey
-
Weber: Der Freischütz, Op. 77, Act 3: "Was gleicht wohl auf Erden" (Chorus) - The Freischütz Project -
Laurence Equilbey
-
Weber: Der Freischütz, Op. 77, Act 3: "Wer legt auf ihn so strengen Bann?" (Hermit, Ottokar, Max, Agathe, Ännchen, Kuno, Chorus) - The Freischütz Project -
Laurence Equilbey
-
Beethoven: Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato (Live) - Beethoven: Piano Concertos Nos 4 & 5, "Emperor" (Live) -
Laurence Equilbey
-
Beethoven: Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto (Live) - Beethoven: Piano Concertos Nos 4 & 5, "Emperor" (Live) -
Laurence Equilbey
-
Beethoven: Piano Concerto No. 4 in G Major, Op. 58: III. Rondo. Vivace (Live) - Beethoven: Piano Concertos Nos 4 & 5, "Emperor" (Live) -
Laurence Equilbey
-
Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73, "Emperor": I. Allegro (Live) - Beethoven: Piano Concertos Nos 4 & 5, "Emperor" (Live) -
Laurence Equilbey
-
Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73, "Emperor": II. Adagio un poco mosso (Live) - Beethoven: Piano Concertos Nos 4 & 5, "Emperor" (Live) -
Laurence Equilbey
-
Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73, "Emperor": III. Rondo. Allegro ma non troppo (Live) - Beethoven: Piano Concertos Nos 4 & 5, "Emperor" (Live) -
Laurence Equilbey
Gade: Comala
- 2018-02-16T00:00:00.000000Z
-
Comala, Op. 12: Introduction - Gade: Comala -
Laurence Equilbey
-
Comala, Op. 12: No. 1, Auf, auf, auf, laut schallt das Horn - Gade: Comala -
Laurence Equilbey
-
Comala, Op. 12: No. 2, Heute noch brech' ich des stolzen Königs Macht - Gade: Comala -
Laurence Equilbey
-
Comala, Op. 12: No. 3, Auf, auf in die Schlacht, Fingal führt uns zum Sieg! - Gade: Comala -
Laurence Equilbey
-
Comala, Op. 12: No. 4, O grauenvolle Stille! Dahin, dahin sind die lieblichen Träume - Gade: Comala -
Laurence Equilbey
-
Comala, Op. 12: No. 5, Vom Lochlin kam gezogen Suaran, der stolze Held - Gade: Comala -
Laurence Equilbey
-
Comala, Op. 12: No. 6, Still, still ist die Jagd, kein Laut ertönt, als das Brausen des Stroms - Gade: Comala -
Laurence Equilbey
-
Comala, Op. 12: No. 7, Wir wandeln auf dem Sturm - Gade: Comala -
Laurence Equilbey
-
Comala, Op. 12: No. 8, O, o, dass ich nicht sitze an Caruns Wellen - Gade: Comala -
Laurence Equilbey
-
Comala, Op. 12: No. 9, Entfloh'n ist der Feind' Getöse, nicht sieht man sein Ross auf den Höhen - Gade: Comala -
Laurence Equilbey
-
Comala, Op. 12: No. 10, Lasst ab vom lauten Siegsgesang, ihr Krieger Fingals, schweigt, o schweigt! - Gade: Comala -
Laurence Equilbey
-
Comala, Op. 12: No. 11, Lasst mich schauen die Geliebte, zeiget, wo die Holde schläft - Gade: Comala -
Laurence Equilbey
-
Comala, Op. 12: No. 12, Aus den Wolken herab schauen die Geister der Ahnen - Gade: Comala -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30: Overtura - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 1 / Scene 1: Coro: "Ah, se intorno a quest'urna funestra" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 1 / Scene 1: Ballo. Larghetto - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 1 / Scene 1: Coro: "Ah, se intorno a quest'urna funestra" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 1 / Scene 1: Aria: "Chiamo il mio ben così" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 1 / Scene 2: Aria: "Gli sguardi trattieni" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Paris Version (1774), Wq. 41; WOTG/LiebG I.A.41 / Act 1 / Scene 2: Aria: "Addio, o miei sospiri!" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1: Ballo. Maestoso / Coro: "Chi mai dell'Erebo" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1: Ballo. Presto / Coro: "Chi mai dell'Erebo" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1: Aria con Coro: "Deh, placatevi con me" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1: Coro: "Misero giovine" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1: Aria: "Mille pene, ombre moleste" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1: Coro I: "Ah, quale incognito" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1: Aria: "Men tiranne, ah! voi sareste" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1: Coro II: "Ah, quale incognito" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Paris Version (1774), Wq. 41; WOTG/LiebG I.A.41 / Act 2 / Scene 1: Air des Furies - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Paris Version (1774), Wq. 41; WOTG/LiebG I.A.41 / Act 2 / Scene 2: Ballet des ombres heureuses - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 2: Arioso: "Che puro ciel! Che chiaro sol!" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 2: Coro: "Vieni a' regni del riposo" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 1: Duetto: "Vieni, appaga il tuo consorte!" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 1: Aria: "Che fiero momento" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 1: Aria: "Che farò senza Euridice?" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 3: Ballo II. Allegro - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
-
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 3: Coro: "Trionfi Amore" - Live - Gluck: Orfeo ed Euridice / Orpheo - Highlights Of The Versions For Vienna (1762) And Paris (1774) [Live] -
Laurence Equilbey
Similar Artists