Felicity Palmer
Dame Felicity Joan Palmer, (born 6 April 1944), is an English mezzo-soprano and music professor. She sang soprano roles until 1983.
Palmer was born in Cheltenham and educated at Erith Grammar School, now named Erith School. She studied at the Guildhall School of Music and Drama in London and under Marianne Schech's guidance at the Munich College for Music and Theatre. In April 1970, she won first prize in the Kathleen Ferrier Memorial Scholarship. She made her operatic debut in 1971 as Dido in Dido and Aeneas with the Kent Opera. In 1973, she made her US debut with the Houston Grand Opera and her Metropolitan Opera debut was in 2000 as Waltraute (Götterdämmerung). Having made her debut with English National Opera (ENO) in 1975, her performance with the company forty years later, as the Countess in The Queen of Spades, was widely applauded and described as 'mesmerising' and 'astonishing'.
Palmer has performed and recorded Gilbert and Sullivan operas, as Katisha in The Mikado for the ENO and the Welsh National Opera (WNO), Dame Carruthers in The Yeomen of the Guard (WNO) and Little Buttercup in H.M.S. Pinafore (WNO). In 1998, she played Widow Begbick in the Lyric Opera of Chicago production of The Rise and Fall of the City of Mahagonny. In 2003, she performed the role of Mrs Lovett in Stephen Sondheim's Sweeney Todd at the Royal Opera House (the only musical the ROH has ever presented). She sang Venus in a 1983 BBC television broadcast of Orphée aux Enfers conducted by Alexander Faris.
Palmer is noted for her interpretation of the role of Madame de Croissy in Poulenc's Dialogues of the Carmelites, which she has sung at the Metropolitan Opera and at the Lyric Opera of Chicago's first ever production of the work. She also sang the role in English with the ENO and recorded it as part of the Chandos "Opera in English" series. Her other commercial recordings include Der fliegende Holländer and 'Love's Old Sweet Song, Victorian and Edwardian Ballads', 1978, The Decca Recording Company:1997, L.P.;Belart, C.D., (a Polygram Company), 0 28946 14902 7:( John Constable on piano).
Her work in contemporary music has included the first Glyndebourne production of Péter Eötvös's opera Love and Other Demons, in the role of Josefa Miranda.
Palmer is a professor at the Royal College of Music in London. She was appointed Commander of the Order of the British Empire (CBE) in 1993 and Dame Commander of the Order of the British Empire (DBE) in the 2011 New Year Honours for services to music.
She is a first cousin of Barclay Palmer, Olympic athlete and humanities educator and reformer.
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The Kingdom, Op. 51, Jerusalem: Prelude. Allegro maestoso - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part I. In the Upper Room: Seek first the Kingdom of God (The Disciples, Holy Women) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part I. In the Upper Room: Where two or three are gathered together in My Name (Peter) - Elgar: The Kingdom, Sospiri & Sursum Corda -
Felicity Palmer
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The Kingdom, Op. 51, Part I. In the Upper Room: He took bread, and blessed it (Peter) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part I. In the Upper Room: Men and brethren (Peter) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part I. In the Upper Room: Thou, Lord, Which knowest the hearts of all men (Peter, John, The Disciples) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part I. In the Upper Room: They gave forth their lots (Chorus) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part I. In the Upper Room: O ye priests! (Chorus) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part II. At the Beautiful Gate: The singers are before the altar (The Blessed Virgin, Mary Magdalene) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part III. Pentecost: And when the day of Pentecost was fully come (Tenor) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part III. Pentecost: When the great Lord will (The Disciples) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part III. Pentecost: And suddenly there came from heaven a sound… (Mezzo-soprano) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part III. Pentecost: Behold, are not all these which speak, Galilæans? (The People) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part III. Pentecost: Ye men of Judæa (Peter) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part III. Pentecost: Repent, and be baptized (St Peter, Chorus) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part IV. The Sign of Healing: Then they that gladly received his word were baptised (Mezzo-soprano) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part IV. The Sign of Healing: The man that was lame (Mezzo-soprano) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part IV. The Sign of Healing: Unto you that fear His Name… (John) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part IV. The Sign of Healing: And as they spake (Mezzo-soprano) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part IV. The Sign of Healing: The sun goeth down (The Blessed Virgin) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part V. The Upper Room: The voice of joy is in the dwelling of the righteous (The Disciples, Holy Women) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part V. The Upper Room: Lord, Thou didst make the heaven (The Disciples, Holy Women) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part V. The Upper Room: Thou, Almighty Lord, hast given food and drink to mankind (The Disciples, Holy Women) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part V. The Upper Room: Our Father, Which art in Heaven (All) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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The Kingdom, Op. 51, Part V. The Upper Room: Ye have received the Spirit of adoption (John) - Elgar: The Kingdom, Sospiri & Sursum Corda -
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Sospiri, Op. 70 - Elgar: The Kingdom, Sospiri & Sursum Corda -
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Sursum Corda, Op. 11: Sursum corda, Op. 11 - Elgar: The Kingdom, Sospiri & Sursum Corda -
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King Priam, Act I: Prelude (Chorus) - Tippett: King Priam -
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King Priam, Act III Scene 1: Lady Andromache, should we not light the fire? (Serving Woman, Andromache) - Tippett: King Priam -
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King Priam, Act I Scene 1: What is it, Nurse? (Hecuba, Nurse, Priam) - Tippett: King Priam -
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King Priam, Act III Scene 1: Daughter Andromache, you must go out… (Hecuba, Andromache) - Tippett: King Priam -
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King Priam, Act I Scene 1: Old man of Troy, you're welcome (Priam, Old Man) - Tippett: King Priam -
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King Priam, Act III Scene 1: Did you hear? (Andromache, Helen, Hecuba) - Tippett: King Priam -
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King Priam, Act I Scene 1: Than am I no longer mother to this child (Hecuba, Old Man) - Tippett: King Priam -
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King Priam, Act III Scene 1: Let her rave (Helen) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act I Scene 1: A father and a King (Priam) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act III Scene 1: O that my ears should hear impiety so gross! (Hecuba, Andromache, Helen) - Tippett: King Priam -
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King Priam, Act I Scene 1: The Queen is right (Priam) - Tippett: King Priam -
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King Priam, Act III Scene 1: Now you shall go (Andromache, Hecuba, Serving Woman) - Tippett: King Priam -
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King Priam, Act I Scene 1: Interlude I. Thus shall a story begin (Nurse, Old Man, Young Guard) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act III Scene 1: Interlude I. No… No… No… We have it from the runner (Serving Women) - Tippett: King Priam -
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King Priam, Act I Scene 2: The bull is away over there (Huntsmen, Hector, Priam) - Tippett: King Priam -
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King Priam, Act III Scene 2: What is happening? (Priam, Paris) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act I Scene 2: They have taken my bull (Paris, Hector) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act III Scene 2: A crime (Young Guard, Old Man, Priam) - Tippett: King Priam -
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King Priam, Act I Scene 2: Father, he's a shepherd boy (Hector, Priam, Paris) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act III Scene 2: The soul will answer from where the pain is quickest (Nurse, Priam, Young Guard, Old Man) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act I Scene 2: So I'd hoped it might be (Priam, Old Man) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act III Scene 2: Interlude II - Tippett: King Priam -
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King Priam, Act I Scene 2: Interlude II. Ah, but life, life is a bitter charade (Nurse, Young Guard, Old Man, Wedding Guests) - Tippett: King Priam -
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King Priam, Act III Scene 3: Priam! Here! What is this? (Achilles, Priam) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act I Scene 2: Ah, ah… (Helen, Paris) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act III Scene 3: I clasp your knees, Achilles (Priam) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act I Scene 2: Divine go-between, that's who I am (Hermes, Paris) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act III Scene 3: Old man, I am touched (Achilles, Priam) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act I Scene 2: Lady Athene, if I honour you… (Paris, Athene) - Tippett: King Priam -
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King Priam, Act III Scene 3: Interlude III - Tippett: King Priam -
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King Priam, Act I Scene 2: Lady Hera, if I honour you… (Paris, Hera, Hermes) - Tippett: King Priam -
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King Priam, Act III Scene 4: Where is my father, where is Priam? (Paris, Priam) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act I Scene 2: Aphrodite, if I honour you… (Paris, Aphrodite, Hera, Athene, Hermes) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act III Scene 4: Ah, ah! Ah, ah! (Hecuba, Paris, Priam) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act II Scene 1: So you've given up fighting! (Hector, Priam) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act III Scene 4: Ah, ha, ha, ha (Andromache, Paris, Priam) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act II Scene 1: So Trojans honour Menelaus… (Priam, Paris) - Tippett: King Priam -
Felicity Palmer
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King Priam, Act III Scene 4: Ah, ah! (Paris, Helen, Priam) - Tippett: King Priam -
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King Priam, Act II Scene 1: Interlude I. Hermes, Hermes, with the winged feet come quick! (Old Man, Hermes) - Tippett: King Priam -
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King Priam, Act II Scene 2: O rich-soiled land (Achilles) - Tippett: King Priam -
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King Priam, Act II Scene 2: Why are you weeping, Patroclus? (Achilles, Patroclus) - Tippett: King Priam -
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King Priam, Act II Scene 2: Interlude II. O, o, what a threat to Troy (Old Man, Hermes) - Tippett: King Priam -
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King Priam, Ac II Scene 3: A hero in Achilles' armour… (Hermes, Paris, Priam) - Tippett: King Priam -
Felicity Palmer
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King Priam, Ac II Scene 3: All Trojans, all fought bravely (Hector, Priam, Paris, Achilles, Old Man) - Tippett: King Priam -
Felicity Palmer
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Le nozze di Figaro, K.492: Overture - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 1: "Cinque... deci... venti..." - "Cosa stai misurando" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 1: "Se a caso Madama" - "Or bene, ascolta, e taci" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 1: "Se vuol ballare" - "Ed aspettaste il giorno" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 1: "La vendetta" - "Tutto ancor non ho perso" - Mozart: Le nozze di Figaro -
Felicity Palmer
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Le nozze di Figaro, K.492 / Act 1: "Via resti servita" - "Va là, vecchia pedante" - Mozart: Le nozze di Figaro -
Felicity Palmer
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Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 1: "Ah, son perduto!" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 1: "Cosa sento! tosto andate" - "Basilio, in traccia tosto" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 1: "Giovani liete" - "Cos'è questa commedia?" - "Giovani liete" - "Evviva!" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 1: "Non più andrai" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 2: "Porgi amor" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 2: "Vieni, cara Susanna" - "Quanto duolmi, Susanna" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 2: "Voi che sapete" - "Bravo! che bella voce!" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 2: "Venite... inginocchiatevi..." - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 2: "Quante buffonerie!" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 2: "Che novità!" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 2: "Susanna, or via, sortite" - "Dunque, voi non aprite" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 2: "Aprite, presto" - "O guarda il demonietto!" - "Tutto è come io lasciai" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 2: "Esci, ormai, garzon malnato" - "Susanna!... Signore!" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 2: "Signore, di fuori" - "Ah! signore... signor!" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 2: "Voi signor, che giusto siete" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 3: "Che imbarazzo è mai questo" - "Via, fatti core" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 3: "Crudel! perché finora" - "E perché fosti meco" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 3: "Hai già vinta la causa" - "Vedrò mentr'io sospiro" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 3: "E decisa la lite" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 3: "Riconosci in questo amplesso" - "Eccovi, o caro amico" - "Andiamo, andiam, bel paggio" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 3: "E Susanna non vien!" - "Dove sono i bei momenti" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 3: "Io vi dico, signor" - "Cosa mi narri!" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 3: "Che soave zeffiretto" - "Piegato è il foglio..." - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 3: "Ricevete, o padroncina" - "Queste sono, Madama" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 3: "Ecco la marcia... andiamo." - "Amanti costanti" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 3: Fandango - "Eh già, solita usanza" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 4: "L'ho perduta... me meschina!" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 4: "Barbarina, cos'hai?" - "Madre... Figlio." - "Presto, avvertiam Susanna" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 4: "Il capro e la capretta" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 4: "Nel padiglione a manca" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 4: "In quegli anni in cui val poco" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 4: "Tutto è disposto" - "Aprite un po' quegli occhi" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 4: "Signora, ella mi disse" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 4: "Giunse alfin il momento" - "Deh vieni non tardar" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 4: "Perfida! e in quella forma meco mentia?" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 4: "Pian pianin le andrò più presso" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 4: "Tutto è tranquillo e placido" - "Pace, pace mio dolce tesoro" - Mozart: Le nozze di Figaro -
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Le nozze di Figaro, K.492 / Act 4: "Gente, gente, all'armi" - Mozart: Le nozze di Figaro -
Felicity Palmer
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