Philharmonic Orchestra
An orchestra (; OR-ki-strə) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments:
bowed string instruments, such as the violin, viola, cello, and double bass
woodwinds, such as the flute, oboe, clarinet, and bassoon
brass instruments, such as the horn, trumpet, trombone, cornet, and tuba
percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instrumentsOther instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments, and guitars.A full-size Western orchestra may sometimes be called a symphony orchestra or philharmonic orchestra (from Greek phil-, "loving", and "harmony"). The number of musicians employed in a given performance may vary from seventy to over one hundred, depending on the work being played and the venue size. A chamber orchestra (sometimes a concert orchestra) is a smaller ensemble of not more than about fifty musicians. Orchestras that specialize in the Baroque music of, for example, Johann Sebastian Bach and George Frideric Handel, or Classical repertoire, such as that of Haydn and Mozart, tend to be smaller than orchestras performing a Romantic music repertoire such as the symphonies of Ludwig van Beethoven and Johannes Brahms. The typical orchestra grew in size throughout the 18th and 19th centuries, reaching a peak with the large orchestras (of as many as 120 players) called for in the works of Richard Wagner, and later, Gustav Mahler.
Orchestras are usually led by a conductor who directs the performance with movements of the hands and arms, often made easier for the musicians to see by using a short wooden rod known as a conductor's baton. The conductor unifies the orchestra, sets the tempo, and shapes the sound of the ensemble. The conductor also prepares the orchestra by leading rehearsals before the public concert, in which the conductor provides instructions to the musicians on their interpretation of the music being performed.
The leader of the first violin section – commonly called the concertmaster – also plays an important role in leading the musicians. In the Baroque music era (1600–1750), orchestras were often led by the concertmaster, or by a chord-playing musician performing the basso continuo parts on a harpsichord or pipe organ, a tradition that some 20th-century and 21st-century early music ensembles continue. Orchestras play a wide range of repertoire, including symphonies, opera and ballet overtures, concertos for solo instruments, and pit ensembles for operas, ballets, and some types of musical theatre (e.g., Gilbert and Sullivan operettas).
Amateur orchestras include those made up of students from an elementary school or a high school, youth orchestras, and community orchestras; the latter two typically being made up of amateur musicians from a particular city or region.
The term orchestra derives from the Greek ὀρχήστρα (orchestra), the name for the area in front of a stage in ancient Greek theatre reserved for the Greek chorus.
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Concerto for Flute and Orchestra No. 2 in D Major, KV 314 - Classical Quarantaine (The Greatest Classical Music Collection) -
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Orchestral Suite No. 2 in B Major, BWV 1067, Badinerie - Classical Quarantaine (The Greatest Classical Music Collection) -
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Menuet from String Quintet No. 5 in E Major, Op. 13 - Classical Quarantaine (The Greatest Classical Music Collection) -
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Peer Gyant Suite No. 1, Op. 46 Morgenstimmung - Classical Quarantaine (The Greatest Classical Music Collection) -
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Concerto for Flute and Orchestra No. 4 in G Major, Op. 10 - Classical Quarantaine (The Greatest Classical Music Collection) -
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Nocturne No. 2 in E-Flat Major, Op. 9 - Classical Quarantaine (The Greatest Classical Music Collection) -
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Air from Orchestral in D Major, BWV 1068 - Classical Quarantaine (The Greatest Classical Music Collection) -
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Canon and Gigue for Strings in D Major - Classical Quarantaine (The Greatest Classical Music Collection) -
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Serenade for Strings No. 13 in G Major, KV 525 Eine Kleine Nachtmusik - Classical Quarantaine (The Greatest Classical Music Collection) -
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Orpheus and Eurydike Reigen Seeliger Geister - Classical Quarantaine (The Greatest Classical Music Collection) -
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Peer Gyant Suite No. 2, Op. 55 Solveij's Lied - Classical Quarantaine (The Greatest Classical Music Collection) -
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Concerto for Oboe and Orchestra in B Major, Op. 1 - Classical Quarantaine (The Greatest Classical Music Collection) -
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Concerto for Clarinet and Orchestra in A Major, KV 622 - Classical Quarantaine (The Greatest Classical Music Collection) -
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Symphony No. 1 in B-Flat Major, Op. 9 - Classical Quarantaine (The Greatest Classical Music Collection) -
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Triumphant Nature - Orchestral Landscapes, Vol. 3 -
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Idyllic Pastoral - Orchestral Landscapes, Vol. 3 -
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Arctic Splendor - Orchestral Landscapes, Vol. 3 -
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Heaven of Tranquility - Orchestral Landscapes, Vol. 3 -
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Seascape - Orchestral Landscapes, Vol. 3 -
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Flowing Brook - Orchestral Landscapes, Vol. 3 -
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Saga of Ireland - Orchestral Landscapes, Vol. 3 -
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Scenic Colors - Orchestral Landscapes, Vol. 3 -
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Panoramic Episodes - Orchestral Landscapes, Vol. 3 -
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Petals in the Wind - Orchestral Landscapes, Vol. 3 -
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Ohio Sunrise - Orchestral Landscapes, Vol. 3 -
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Pastoral Valley - Orchestral Landscapes, Vol. 3 -
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Spring Vibes - Orchestral Landscapes, Vol. 3 -
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First Snowflakes - Orchestral Landscapes, Vol. 3 -
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Panoramic Splendour - Orchestral Landscapes, Vol. 3 -
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Weeping Guitars - Orchestral Landscapes, Vol. 3 -
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Pastoral View - Orchestral Landscapes, Vol. 3 -
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Vetrate di chiesa, P. 150: I. La fuga in Egitto - Respighi: Orchestral Works -
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Vetrate di chiesa, P. 150: II. San Michele arcangelo - Respighi: Orchestral Works -
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Vetrate di chiesa, P. 150: III. Il mattutino di Santa Chiara - Respighi: Orchestral Works -
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Vetrate di chiesa, P. 150: IV. San Gregorio Magno - Respighi: Orchestral Works -
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Metamorphoseon modi XII, P. 169: Tema. Andante moderato - Respighi: Orchestral Works -
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Metamorphoseon modi XII, P. 169: Modus I. Moderato non troppo - Respighi: Orchestral Works -
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Metamorphoseon modi XII, P. 169: Modus II. Allegretto - Respighi: Orchestral Works -
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Metamorphoseon modi XII, P. 169: Modus III. Lento - Respighi: Orchestral Works -
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Metamorphoseon modi XII, P. 169: Modus IV. Lento espressivo - Respighi: Orchestral Works -
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Metamorphoseon modi XII, P. 169: Modus V. Molto vivace - Respighi: Orchestral Works -
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Metamorphoseon modi XII, P. 169: Modus VI. Vivo - Respighi: Orchestral Works -
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Metamorphoseon modi XII, P. 169: Modus VII. Cadenze - Respighi: Orchestral Works -
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Metamorphoseon modi XII, P. 169: Modus VIII. Andantino mosso - Respighi: Orchestral Works -
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Metamorphoseon modi XII, P. 169: Modus IX. Lento non troppo - Respighi: Orchestral Works -
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Metamorphoseon modi XII, P. 169: Modus X. Molto allegro - Respighi: Orchestral Works -
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Metamorphoseon modi XII, P. 169: Modus XI. Molto allegro - Respighi: Orchestral Works -
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Metamorphoseon modi XII, P. 169: Modus XII. Vivo non troppo - Respighi: Orchestral Works -
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Feste romane, P. 157: I. Circenses - Respighi: Orchestral Works -
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Feste romane, P. 157: II. Il giubileo - Respighi: Orchestral Works -
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Feste romane, P. 157: III. L'Ottobrata - Respighi: Orchestral Works -
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Feste romane, P. 157: IV. La Befana - Respighi: Orchestral Works -
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Fontane di Roma (Fountains of Rome), P. 106: I. La fontana di Valle Giulia all' alba - Respighi: Orchestral Works -
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Fontane di Roma (Fountains of Rome), P. 106: II. La fontana del Tritone al mattino - Respighi: Orchestral Works -
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Fontane di Roma (Fountains of Rome), P. 106: III. La fontana di Trevi al meriggio - Respighi: Orchestral Works -
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Fontane di Roma (Fountains of Rome), P. 106: IV. La fontana di Villa Medici al tramonto - Respighi: Orchestral Works -
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Pini di Roma, P. 141: I. I pini di Villa Borghese - Respighi: Orchestral Works -
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Pini di Roma, P. 141: II. I pini presso una catacomba - Respighi: Orchestral Works -
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Pini di Roma, P. 141: III. I pini del Gianicolo - Respighi: Orchestral Works -
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Pini di Roma, P. 141: IV. I pini della Via Appia - Respighi: Orchestral Works -
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Belkis, regina di Saba, P. 177: I. Il sogno di Salomone - Respighi: Orchestral Works -
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Belkis, regina di Saba, P. 177: II. Danza guerresca - Respighi: Orchestral Works -
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Belkis, regina di Saba, P. 177: III. La danza di Belkis all'aurora - Respighi: Orchestral Works -
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Belkis, regina di Saba, P. 177: IV. Danza orgiastica - Respighi: Orchestral Works -
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Impressioni brasiliane, P. 153: I. Notte tropicale - Respighi: Orchestral Works -
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Impressioni brasiliane, P. 153: II. Butantan - Respighi: Orchestral Works -
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Impressioni brasiliane, P. 153: III. Canzone e danza - Respighi: Orchestral Works -
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