Philharmonia
The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia's younger conductors, the most important to its development was Herbert von Karajan who, though never formally chief conductor, was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London's five symphony orchestras in its first two decades.
From the late 1950s to the early 1970s the orchestra's chief conductor was Otto Klemperer, with whom the orchestra gave many concerts and made numerous recordings of the core orchestral repertoire. During Klemperer's tenure Legge, citing the difficulty of maintaining the orchestra's high standards, attempted to disband it in 1964, but the players, backed by Klemperer, formed themselves into a self-governing ensemble as the New Philharmonia Orchestra. After thirteen years under this title, they negotiated the rights to revert to the original name.
In Klemperer's last years the orchestra suffered a decline, both financial and artistic, but recovered under his successor, Riccardo Muti, who revitalised the orchestra in his ten-year term from 1972 to 1982. The orchestra's standards remained high throughout the controversial chief conductorship of Giuseppe Sinopoli from 1984 to 1994, and the more orthodox tenure of Christoph von Dohnányi between 1997 and 2008. Esa-Pekka Salonen, principal conductor from 2008 to 2021 was succeeded by Santtu-Matias Rouvali.
The Philharmonia has had many celebrated players in its ranks and has commissioned more than 100 compositions. It gives more than 160 concerts a year, tours widely, and from its inception has been known for its many recordings.
Great Goossens
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The Miraculous Mandarin, Op. 19, BB 82: A shabby room in the slums - Bartok: The Miraculous Mandarin - Weiner: Hungarian Folk Dances Suite -
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The Miraculous Mandarin, Op. 19, BB 82: First decoy game - Bartok: The Miraculous Mandarin - Weiner: Hungarian Folk Dances Suite -
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The Miraculous Mandarin, Op. 19, BB 82: Second decoy game - Bartok: The Miraculous Mandarin - Weiner: Hungarian Folk Dances Suite -
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The Miraculous Mandarin, Op. 19, BB 82: Third decoy game - Bartok: The Miraculous Mandarin - Weiner: Hungarian Folk Dances Suite -
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The Miraculous Mandarin, Op. 19, BB 82: The girl is undecided - Bartok: The Miraculous Mandarin - Weiner: Hungarian Folk Dances Suite -
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The Miraculous Mandarin, Op. 19, BB 82: The Mandarin's passion is finally roused - Bartok: The Miraculous Mandarin - Weiner: Hungarian Folk Dances Suite -
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The Miraculous Mandarin, Op. 19, BB 82: Suddenly the Mandarin's head appears between the pillows - Bartok: The Miraculous Mandarin - Weiner: Hungarian Folk Dances Suite -
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The Miraculous Mandarin, Op. 19, BB 82: The body of the Mandarin begins to glow with a greenish-blue light - Bartok: The Miraculous Mandarin - Weiner: Hungarian Folk Dances Suite -
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The Miraculous Mandarin, Op. 19, BB 82: The mandarin falls to the floor and at once leaps at the girl - Bartok: The Miraculous Mandarin - Weiner: Hungarian Folk Dances Suite -
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Hungarian Folk Dances Suite, Op. 18: I. Allegro risoluto e ben marcato - Bartok: The Miraculous Mandarin - Weiner: Hungarian Folk Dances Suite -
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Hungarian Folk Dances Suite, Op. 18: II. Andante poco sostenuto - Bartok: The Miraculous Mandarin - Weiner: Hungarian Folk Dances Suite -
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Hungarian Folk Dances Suite, Op. 18: III. Andante poco sostenuto - Bartok: The Miraculous Mandarin - Weiner: Hungarian Folk Dances Suite -
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Hungarian Folk Dances Suite, Op. 18: IV. Presto - Bartok: The Miraculous Mandarin - Weiner: Hungarian Folk Dances Suite -
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Gianni Schicchi, SC 88, Act I: Oh, my beloved father (O mio babino caro) - Great Operatic Arias, Vol. 5 -
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Idomeneom K. 366, Act III: Gentle zephyres, soft caressing (Zeffiretti lusinghieri) - Great Operatic Arias, Vol. 5 -
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The Indian Queen, Z. 630, Act I: I attempt from love's sickness - Great Operatic Arias, Vol. 5 -
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Rinaldo, HWV 7, Act II: Hear thou my weeping (Lascia ch'io pianga) - Great Operatic Arias, Vol. 5 -
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Linda di Chamounix, Act I: Linda! Linda! - Great Operatic Arias, Vol. 5 -
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The Pearl Fishers, Act II: I'm all alone here… - Great Operatic Arias, Vol. 5 -
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Concert Aria, K. 383: Nehmt meinen Dank, ihr holden Gönner! - Great Operatic Arias, Vol. 5 -
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King Arthur, Z. 628, Act V: Fairest isle - Great Operatic Arias, Vol. 5 -
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Joshua, HWV 64: Oh! Had I Jubal's lyre - Great Operatic Arias, Vol. 5 -
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Semiramide, Act II: Dark day of dread! (Giorno d'orror!) - Great Operatic Arias, Vol. 5 -
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La Wally, Act I: I'll float into the distance (Ebben? Ne andro lontana) - Great Operatic Arias, Vol. 5 -
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Guillaume Tell, Act II: Dark, sombre wood (Sombre foret) - Great Operatic Arias, Vol. 5 -
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The Pearl Fishers, Act II: Leila! Leila! Lord Brahma! He is here! - Great Operatic Arias, Vol. 5 -
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The Rake's Progress, W. 88, Act III: Gently, little boat - Great Operatic Arias, Vol. 5 -
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The Mikado, Act II: The sun, whose rays - Great Operatic Arias, Vol. 5 -
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Der Vogelhandler, Act I: When you're sent roses in this land! - Great Operatic Arias, Vol. 5 -
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Kiss Me, Kate, Act I: Strange, dear, but true, dear - Great Operatic Arias, Vol. 5 -
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The Immortal Hour, Act II: How beautiful they are, "Faery Song" - Great Operatic Arias, Vol. 5 -
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Nabucco, Act III: Speed your journey (Va, pensiero) - Why lament ye? (Oh chi piange?) (Chorus of Hebrew Slaves & Zaccaria's Prophe - Great Operatic Arias, Vol. 4 -
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Zelmira, Act I: Ah! One whole day has passed (Ah! Gia trascorse il di) - Great Operatic Arias, Vol. 4 -
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Mahomet II, Act I: Brave soldiers, arise and join me (Sorgete e in si bel giorno) - Great Operatic Arias, Vol. 4 -
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Mose in Egitto, Act II: Quartet: Look down on us from Heaven (Dal tuo stellato soglio) - Great Operatic Arias, Vol. 4 -
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Luisa Miller, Act II: He will not listen (Egli delira) - Duet. It was for his sake and his alone (L'alto retaggio non ho bramato) - Great Operatic Arias, Vol. 4 -
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I Lombardi alla prima crociata, Act I: Lord, grant us peace (A te nell'ora …) - Wretched woman! (Sciagurata!) - Only cowards … (Ni - Great Operatic Arias, Vol. 4 -
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Salvator Rosa: And must I really sign? (E il foglio io segnero?) - The pleasures of marriage (Di sposo … di padre …) - Great Operatic Arias, Vol. 4 -
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Norma, Act I Scene 1: Grant her the gift of prophecy (Dell'aura tua profetica) (Chorus) - Here the ancient oak tree grows (Si parl - Great Operatic Arias, Vol. 4 -
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Mose in Egitto, Act II: Invocation. Supreme judge and ruler (Eterno! Immenso!) - Quintet. O Thou who by Thy mercy (Celeste man pla - Great Operatic Arias, Vol. 4 -
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I vespri siciliani, Act II: My homeland, beloved homeland (O patria, o cara patria) - Oh, my Palermo (O tu, Palermo) - Great Operatic Arias, Vol. 4 -
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I puritani, Act II: Duet. Save his life, though he's your rival (Il rival salvar tu dei) - Great Operatic Arias, Vol. 4 -
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