Georges Sebastian
Georges Sébastian (August 17, 1903 – April 12, 1989) was a French conductor of Hungarian birth, particularly associated with Wagner and the post-romantic repertory (Bruckner, Mahler, Richard Strauss). He was born in Budapest and died in La Hauteville.
Born György Sebestyén, he studied first the piano and violin in his native Budapest, before turning to composition. He then worked with Leo Weiner, Zoltán Kodály and Béla Bartók. In 1921, he was engaged as répétiteur at the Munich State Opera, where he worked with Bruno Walter and became his assistant conductor the following year.
He then spent one season from 1923–24 as assistant conductor at the Metropolitan Opera in New York, where he was heard as pianist. Upon his return in Europe, he conducted at the opera houses of Hamburg and Leipzig, before becoming first conductor at the Städtische Oper Berlin (1927–30). He then became musical director of the Moscow Radio and Philharmonic Orchestra (1931–37). In 1935, he conducted there the first performance of the original version of Moussorgsky's opera, Boris Godunov.
In 1938, he returned to America and spent the war years there, holding several posts including conductor at the San Francisco Opera, musical director of a radio program for CBS, and musical director of the Scranton Philharmonic Orchestra.
After the war, he returned to Europe, and settled in France. He made his debut at the Palais Garnier in 1947, and was to conduct there the debuts of both Maria Callas (1958) and Renata Tebaldi (1959). He was also very active conducting on French radio, notably the complete symphonies of Bruckner and Mahler.
He recorded complete sets of Lakmé (with Mado Robin, 1952) and Mignon (1953) for Decca Records; and Thaïs (with Géori Boué, 1952) and Werther (with Suzanne Juyol, 1952) for Urania. His best-known recording may be, however, that of excerpts from Carmen (1946), with Risë Stevens, Nadine Conner, Raoul Jobin and Robert Weede, for Columbia Records. Among Sébastian's "pirate" recordings are Elektra (1966) and Salome (1967), both with Anja Silja.
EMI has published the kinescope of the Callas debut, "La Grande Nuit de l'Opéra," on DVD. Included are excerpts from La forza del destino, Norma, Il trovatore, Il barbiere di Siviglia, and a staged Act II of Tosca (also with Albert Lance and Tito Gobbi).
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Norma, Act I Scene 4: Scena e Cavatina, "Sediziose voci" (Norma, Oroveso, Chorus) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Norma, Act I Scene 4: Preghiera, "Casta diva" (Norma, Chorus) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Norma, Act I Scene 4: "Fine al rito" (Norma, Chorus) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Norma, Act I Scene 4: "Ah! bello a me ritorna ... Sei lento, sì, sei lento" (Norma, Chorus) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Il trovatore, Act IV Scene 1: No. 12a. Scena, "Vanne, lasciami, né timor di me ti prenda" (Leonora) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Il trovatore, Act IV Scene 1: No. 12b. Aria, "D'amor sull'ali rosee vanne" (Leonora) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Il trovatore, Act IV Scene 1: No. 12c. "Miserere d'un'alma già vicina ... Quel suon, quelle preci solenni, funeste ... Ah, che la morte ognora" (Chorus, Leonora, Manrico) - Live Recording, Pa - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Il barbiere di Siviglia, Act I Scene 5: No. 5. Cavatina, "Una voce poco fa" (Rosina) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 1: "Tosca è un buon falco!" (Scarpia, Sciarrone) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 1: "Ha più forte sapore" (Scarpia, Sciarrone, Spoletta) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 2: "Meno male!" (Scarpia, Spoletta, Cavaradossi, Tosca, Chorus) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 3: "Dov'è Angelotti?" (Scarpia, Cavaradossi, Spoletta, Tosca) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 4: "Ed or fra noi parliam da buoni amici" (Scarpia, Tosca) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 4: "Sciarrone, che dice il Cavalier?" (Scarpia, Sciarrone, Tosca, Voce di Cavaradossi) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 4: "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi, Spoletta) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 4: "Ah! ... Nel pozzo! .... Là è l'Angelotti?" (Cavaradossi, Tosca, Scarpia, Sciarrone) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 4: "Nel pozzo del giardino. Va', Spoletta" (Scarpia, Cavaradossi, Tosca, Sciarrone) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 5: "Se la giurata fede debbo tradir" (Scarpia, Tosca) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 5: "Vissi d'arte, vissi d'amore" (Tosca, Scarpia) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 5: "Vedi, le man giunte io stendo a te!" (Tosca, Scarpia, Spoletta) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 5: "E qual via scegliete?" (Scarpia, Tosca) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Werther, Act II: Ai-je dit vrai? L'amour que j'ai pour elle - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act I: Prélude - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act II: Oui, ce qu'elle m'ordonne pour son repos - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act I: Assez! Assez! m'écouterat-on cette fois? - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act II: Mais venez donc! le cortège s'approche - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act I: Bravo pour les enfants - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act III: Werther! Werther! - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act I: Bonjour, Sophie! - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act III: Bonjour, grande soeur! - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act I: Rentrez, nous redirons notre Noel ce soir - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act III: La force m'abandonne! - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act I: Charlotte! Charlotte! - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act I: Arrivez donc, Brühlmann! - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act III: Toute mon âme est la! ...Pourquoi me réveiller - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act III: Werther est de retour - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act I: Et qui donc a promis d'aller au Raisin d'Or? - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act I: Sophie! Albert! Toi de retour! - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act IV: Werther! ...Rien! - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act I: Elle m'aime... elle pense à moi! - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act IV: Charlotte... je meurs - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act I: Il faut nous séparer - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act I: Charlotte... Albert est de retour - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act II: Vivat Bacchus semper vivat! - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act II: Trois mois! Voici trois mois - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act II: Un autre est son époux - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act II: Au bonheur, dont mon âme est pleine - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Werther, Act II: Frère, voyez! le beau bouquet! - Massenet: Werther (Recorded 1953) -
Georges Sebastian
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Thaïs, Act I: Voici le pain - Massenet: Thaïs (Recorded 1952) -
Georges Sebastian
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Thais, Act II: Père, Dieu m'a parlé par ta voix! - Massenet: Thaïs (Recorded 1952) -
Georges Sebastian
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Thaïs, Act I: Hélas! enfant encore - Massenet: Thaïs (Recorded 1952) -
Georges Sebastian
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Thais, Act II: Suivez-moi tous, amis! - Massenet: Thaïs (Recorded 1952) -
Georges Sebastian
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Thais, Act II: Divertissement - Massenet: Thaïs (Recorded 1952) -
Georges Sebastian
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Thaïs, Act I: Toi qui mis la pitié dans nos âmes - Massenet: Thaïs (Recorded 1952) -
Georges Sebastian
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Thaïs, Act I: Voilà donc la terrible cité! - Massenet: Thaïs (Recorded 1952) -
Georges Sebastian
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Thais, Act II: Eh! c'est lui! Athanaël! - Massenet: Thaïs (Recorded 1952) -
Georges Sebastian
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Thaïs, Act I: Ah! Ah! Ah! - Massenet: Thaïs (Recorded 1952) -
Georges Sebastian
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Thais, Act III: L'ardent soleil m'écrase - Massenet: Thaïs (Recorded 1952) -
Georges Sebastian
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Thais, Act III: Seigneur, ayez pitié de moi - Massenet: Thaïs (Recorded 1952) -
Georges Sebastian
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Thaïs, Act I: C'est Thaïs, l'idole fragile qui vient - Massenet: Thaïs (Recorded 1952) -
Georges Sebastian
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Thais, Act II: Ah! je suis seule, seule, enfin! - Massenet: Thaïs (Recorded 1952) -
Georges Sebastian
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Thais, Act II: Etranger, te voilà, comme tu l'avais dit! - Massenet: Thaïs (Recorded 1952) -
Georges Sebastian
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Thais, Act II: Méditation - Massenet: Thaïs (Recorded 1952) -
Georges Sebastian
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