Gian Carlo Menotti
Gian Carlo Menotti (; Italian: [ˈdʒaŋ ˈkarlo meˈnɔtti]; July 7, 1911 – February 1, 2007) was an Italian composer, librettist, director, and playwright who is primarily known for his output of 25 operas. Although he often referred to himself as an American composer, he kept his Italian citizenship and never officially became an American citizen. One of the most frequently performed opera composers of the 20th century, he wrote his most successful works in the 1940s and 1950s. Highly influenced by Giacomo Puccini and Modest Mussorgsky, Menotti further developed the verismo tradition of opera in the post-World War II era. Rejecting atonality and the aesthetic of the Second Viennese School, Menotti's music is characterized by expressive lyricism which carefully sets language to natural rhythms in ways that highlight textual meaning and underscore dramatic intent.
Like Wagner, Menotti wrote the libretti of all his operas. He wrote the classic Christmas opera Amahl and the Night Visitors (1951), along with over two dozen other operas intended to appeal to popular taste. Many of Menotti's operas enjoyed successful runs on Broadway, including two Pulitzer Prize winning works, The Consul (1950) and The Saint of Bleecker Street (1955). While all of his works used English language libretti, three of his operas also had Italian language libretti penned by the composer: Amelia Goes to the Ball (1937), The Island God (1942), and The Last Savage (1963). He founded the Festival dei Due Mondi (Festival of the Two Worlds) in Spoleto in 1958 and its American counterpart, Spoleto Festival USA, in 1977. In 1986 he commenced a Melbourne Spoleto Festival in Australia, but he withdrew after three years.
Menotti also wrote music for several ballets, many choral works, chamber music, orchestral music of varying kinds including a symphony, and stage plays. Notable among these are his cantata The Death of the Bishop of Brindisi, written in 1963, and the cantata Landscapes and Remembrances in 1976 – a descriptive work of Menotti's memories of America written for the United States Bicentennial. Also worthy of note is a small Mass commissioned by the Roman Catholic Archdiocese of Baltimore, entitled Mass for the Contemporary English Liturgy.
Menotti taught music composition on the faculty of the Curtis Institute of Music from 1948 to 1955. He also served as the artistic director of the Teatro dell'Opera di Roma from 1992 to 1994, and directed operas periodically for notable organizations such as the Salzburg Festival and the Vienna State Opera.
The Medium
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The Medium: Prologue - The Medium -
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The Medium, Act 1: Where, Oh Where - The Medium -
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The Medium, Act 1: How Many Times Have I Told You Not to Touch My Things ! - The Medium -
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The Medium, Act 1: Good Evening Madame Flora - The Medium -
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The Medium, Act 1: It Happened Long Ago - The Medium -
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The Medium, Act 1: You Must Be Very Silent - The Medium -
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The Medium, Act 1: Mother Mother Are You There? - The Medium -
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The Medium, Act 1: What Is It? Who Is It? - The Medium -
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The Medium, Act 1: Baba, What Has Happened - The Medium -
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The Medium, Act 1: the Sun Has Fallen and It Lies in Blood - The Medium -
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The Medium, Act 2: Introduction - The Medium -
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The Medium, Act 2: Bravo! - The Medium -
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The Medium, Act 2: Monica, Monica - The Medium -
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The Medium, Act 2: Where Is Monica? - The Medium -
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The Medium, Act 2: Good Evening Madam Flora - The Medium -
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The Medium, Act 2: Don't Stand There Like a Fool - The Medium -
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The Medium, Act 2: Afraid, Am I Afraid? - The Medium -
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The Medium, Act 2: Who's There? Who's There? - The Medium -
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Amahl and the Night Visitors: I. Amahl! Amahl! - Menotti: Amahl and the Night Visitors, the Telephone -
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Amahl and the Night Visitors: II. What Was Keeping You Outside? - Menotti: Amahl and the Night Visitors, the Telephone -
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Amahl and the Night Visitors: III. from Far Away We Come - Menotti: Amahl and the Night Visitors, the Telephone -
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Amahl and the Night Visitors: IV. Amahl! - Menotti: Amahl and the Night Visitors, the Telephone -
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Amahl and the Night Visitors: V. It Is Nice, Here - Menotti: Amahl and the Night Visitors, the Telephone -
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Amahl and the Night Visitors: VI. Amahl I Told You Not to Be a Nuisance! - Menotti: Amahl and the Night Visitors, the Telephone -
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Amahl and the Night Visitors: VII. the Shepherds Are Coming - Menotti: Amahl and the Night Visitors, the Telephone -
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Amahl and the Night Visitors: VIII. Interlude - Menotti: Amahl and the Night Visitors, the Telephone -
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Amahl and the Night Visitors: IX. Thank You Good Friends - Menotti: Amahl and the Night Visitors, the Telephone -
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Amahl and the Night Visitors: X. Thief! Thief! - Menotti: Amahl and the Night Visitors, the Telephone -
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The Telephone - Menotti: Amahl and the Night Visitors, the Telephone -
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The Telephone
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The Telephone - The Telephone - Ou l'amour à trois -
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12 pieces for children - Poemetti per Maria Rosa: No. 1, Giga - The Telephone - Ou l'amour à trois -
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12 pieces for children - Poemetti per Maria Rosa: No. 2, Lullaby (Ninna-nanna) - The Telephone - Ou l'amour à trois -
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12 pieces for children - Poemetti per Maria Rosa: No. 3, Bells at dawn (Alba festiva) - The Telephone - Ou l'amour à trois -
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12 pieces for children - Poemetti per Maria Rosa: No. 4, The Spinner (La filatrice) - The Telephone - Ou l'amour à trois -
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12 pieces for children - Poemetti per Maria Rosa: No. 5, The Bagpipers (I zampognari) - The Telephone - Ou l'amour à trois -
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12 pieces for children - Poemetti per Maria Rosa: No. 6, The Brook (Il ruscello) - The Telephone - Ou l'amour à trois -
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12 pieces for children - Poemetti per Maria Rosa: No. 7, The Sheperd (Il pastore) - The Telephone - Ou l'amour à trois -
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12 pieces for children - Poemetti per Maria Rosa: No. 8, Nocturne (Notturno) - The Telephone - Ou l'amour à trois -
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12 pieces for children - Poemetti per Maria Rosa: No. 9, The Stranger's Dance (Danza dello straniero) - The Telephone - Ou l'amour à trois -
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12 pieces for children - Poemetti per Maria Rosa: No. 10, Winter Wind (Vento invernale) - The Telephone - Ou l'amour à trois -
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12 pieces for children - Poemetti per Maria Rosa: No. 11, War Song (Canzone guerresca) - The Telephone - Ou l'amour à trois -
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12 pieces for children - Poemetti per Maria Rosa: No. 12, The Manger (Il presepio) - The Telephone - Ou l'amour à trois -
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Trio for violin, clarinet and piano: I. Capriccio, Allegro - The Telephone - Ou l'amour à trois -
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Trio for violin, clarinet and piano: II. Romanza, Andante espressivo - The Telephone - Ou l'amour à trois -
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Trio for violin, clarinet and piano: III. Envoi, allegro - The Telephone - Ou l'amour à trois -
Gian Carlo Menotti
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