Vittorio Gui
Vittorio Gui (14 September 1885 – 16 October 1975) was an Italian conductor, composer, musicologist and critic.
Gui was born in Rome in 1885. He graduated in humanities at the University of Rome and also studied composition at the Accademia Nazionale di Santa Cecilia; his principal composition teachers were the noted composers Giacomo Setaccioli and Stanislao Falchi. His style was "impressionistic with characteristic Italian traits".
Gui's opera David premiered in Rome in 1907; later that year, he made his professional conducting debut at the Teatro Adriano in Rome, leading Ponchielli's La Gioconda as a substitute. This led to invitations to conduct in Naples and Turin (he met Claude Debussy in Turin in 1911). In 1923, Arturo Toscanini invited him to conduct Salome by Richard Strauss as the season opener at La Scala in Milan. He conducted the Teatro Regio in Turin from 1925 to 1927; in his last year in Turin, he premiered his fairy-tale opera Fata Malerba there. (Other notable compositions included the cantata Cantico dei cantici ("Song of Songs") from 1921, and the symphonic poem Giulietta e Romeo (with voices, from 1902).)
In 1928, Gui founded and conducted the Orchestra Stabile; he developed the organization of the orchestra into the 1933 Maggio Musicale Fiorentino or "Florence May Music Festival", which he led until 1943. At the festival he conducted unusual operas such as Verdi's Luisa Miller, Spontini's La vestale, Cherubini's Médée and Gluck's Armide.
In 1933 Bruno Walter invited Gui to be guest conductor at the Salzburg Festival, and in 1936 Sir Thomas Beecham invited him to be a regular conductor at the Royal Opera House at Covent Garden. He spent World War II in Britain. In 1948, he made his debut with the Glyndebourne Festival company, leading Mozart's Così fan tutte in the Carl Ebert production at the Edinburgh Festival. He served as the Glyndebourne Festival's Musical Director from 1951 to 1963, and as its "artistic counselor" from 1963 to 1965, when he made his last appearances there.
Gui was particularly known for his conducting of the works of Brahms, of which he was said to be a leading conductor in Italy. In 1947, the 50th anniversary of Brahms's death, Gui conducted a complete cycle of Brahms's orchestral and choral works in that country. He was also known for conducting contemporary music and first performances; among works he premiered was Dallapiccola's first major composition, his Partita, in 1933.
Vittorio Gui was also a prolific author and critic. Notable writings include his 1924 study of Boito's opera Nerone, an article on "Mozart in Italy" from 1955, and his collected essays, Battute d'aspetto (1946).
Gui died in Florence in 1975, aged 90.
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Le comte Ory, Act I: Prélude - Rossini: Le Comte Ory [Recorded 1959] -
Vittorio Gui
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Le Comte Ory, Act II: Introduction. Dans ce séjour calme et tranquille - Rossini: Le Comte Ory [Recorded 1959] -
Vittorio Gui
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Le Comte Ory, Act II: Ecoutez! ...le ciel gronde - Rossini: Le Comte Ory [Recorded 1959] -
Vittorio Gui
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Le comte Ory, Act I: Jouvencelles, venez vite - Rossini: Le Comte Ory [Recorded 1959] -
Vittorio Gui
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Le comte Ory, Act I: Quand Madame la Comtesse - Rossini: Le Comte Ory [Recorded 1959] -
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Le Comte Ory, Act II: Noble châtelaine, voyez notre peine - Rossini: Le Comte Ory [Recorded 1959] -
Vittorio Gui
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Le comte Ory, Act I: Que les destins prospères accueillent vos prières - Rossini: Le Comte Ory [Recorded 1959] -
Vittorio Gui
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Le Comte Ory, Act II: Voyez qui ce peut être - Rossini: Le Comte Ory [Recorded 1959] -
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Le comte Ory, Act I: Je viens à vous! - Rossini: Le Comte Ory [Recorded 1959] -
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Le Comte Ory, Act II: Quand tomberont sur lui - Rossini: Le Comte Ory [Recorded 1959] -
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Le Comte Ory, Act II: Ah! Quel respect, Madame, pour vos vertus - Rossini: Le Comte Ory [Recorded 1959] -
Vittorio Gui
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Le comte Ory, Act I: Je ne puis longtemps voyager de la sorte - Rossini: Le Comte Ory [Recorded 1959] -
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Le comte Ory, Act I: Veiller sans cesse, craindre toujours - Rossini: Le Comte Ory [Recorded 1959] -
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Le Comte Ory, Act II: Ce téméraire qui croit nous plaire - Rossini: Le Comte Ory [Recorded 1959] -
Vittorio Gui
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Le comte Ory, Act I: Vous notre appui et notre ami - Rossini: Le Comte Ory [Recorded 1959] -
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Le Comte Ory, Act II: Voici vos compagnes fidèles - Rossini: Le Comte Ory [Recorded 1959] -
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Le Comte Ory, Act II: Ah! La bonne folie! - Rossini: Le Comte Ory [Recorded 1959] -
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Le comte Ory, Act I: Cette aventure fort singulière - Rossini: Le Comte Ory [Recorded 1959] -
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Le comte Ory, Act I: Cet Ermite, ma belle enfant - Rossini: Le Comte Ory [Recorded 1959] -
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Le Comte Ory, Act II: Eh! mais, quelle triste observance! - Rossini: Le Comte Ory [Recorded 1959] -
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Le comte Ory, Act I: Une dame de haut parage - Rossini: Le Comte Ory [Recorded 1959] -
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Le Comte Ory, Act II: Dans ce lieu solitaire - Rossini: Le Comte Ory [Recorded 1959] -
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Le Comte Ory, Act II: Du fruit de sa victoire - Rossini: Le Comte Ory [Recorded 1959] -
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Le comte Ory, Act I: Isolier dans ces lieux! - Rossini: Le Comte Ory [Recorded 1959] -
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Le comte Ory, Act I: En proie à la tristesse - Rossini: Le Comte Ory [Recorded 1959] -
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Le Comte Ory, Act II: Buvons, buvons soudain! - Rossini: Le Comte Ory [Recorded 1959] -
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Le comte Ory, Act I: Vous avez entendu - Rossini: Le Comte Ory [Recorded 1959] -
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Le Comte Ory, Act II: Quel doux recueillement! - Rossini: Le Comte Ory [Recorded 1959] -
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Le comte Ory, Act I: O bon ermite votre mérite - Rossini: Le Comte Ory [Recorded 1959] -
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Le Comte Ory, Act II: A la faveur de cette nuit obscure - Rossini: Le Comte Ory [Recorded 1959] -
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Le Comte Ory, Act II: D'amour et d'espérance - Rossini: Le Comte Ory [Recorded 1959] -
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Le comte Ory, Act I: C'est bien... je suis content - Rossini: Le Comte Ory [Recorded 1959] -
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Le comte Ory, Act I: Nous saurons bien le reconnaître - Rossini: Le Comte Ory [Recorded 1959] -
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Le Comte Ory, Act II: J'entends d'ici le bruit des armes - Rossini: Le Comte Ory [Recorded 1959] -
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Le comte Ory, Act I: Finale. Ciel! O terreur! O peine extrême! - Rossini: Le Comte Ory [Recorded 1959] -
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Le Comte Ory, Act II: Finale. Ecoutez ces chants de victoire - Rossini: Le Comte Ory [Recorded 1959] -
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Le comte Ory, Act I: Cet écrit, noble châtelaine - Rossini: Le Comte Ory [Recorded 1959] -
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Le comte Ory, Act I: Venez amis, retirons-nous - Rossini: Le Comte Ory [Recorded 1959] -
Vittorio Gui
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Rigoletto, Act I: Gualtier Malde … Caro nome - Callas, Maria: Liebeslieder -
Vittorio Gui
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Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Madama Butterfly, Act II: Un bel di, vedremo - Callas, Maria: Liebeslieder -
Vittorio Gui
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La boheme, Act I: Si. Mi chiamano Mimi - Callas, Maria: Liebeslieder -
Vittorio Gui
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La Gioconda, Act IV: Suicido! … - Callas, Maria: Liebeslieder -
Vittorio Gui
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Turandot, Act I: Signore, ascolta! - Callas, Maria: Liebeslieder -
Vittorio Gui
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Andrea Chenier, Act III: La mamma morta - Callas, Maria: Liebeslieder -
Vittorio Gui
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Gianni Schicchi: O mio babbino caro - Callas, Maria: Liebeslieder -
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La Wally, Act I: Ebben? Ne andro lontana - Callas, Maria: Liebeslieder -
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Lucia di Lammermoor, Act III: Il dolce suono mi colpi, "Mad Scene" - Callas, Maria: Liebeslieder -
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Parsifal, Act II: Grausamer! Fuhlst du im Herzen - Callas, Maria: Liebeslieder -
Vittorio Gui
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Tristan und Isolde, Act III: Dolce e calmo - Callas, Maria: Liebeslieder -
Vittorio Gui
Bellini: Norma
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Bellini: Norma: Sinfonia - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: Introduzione - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Vanne, e li cela entrambi" (Norma, Clotilde) - Bellini: Norma -
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Bellini: Norma, Act 1: "Adalgisa!" - "Alma costanza" (Norma, Adalgisa) - Bellini: Norma -
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Bellini: Norma, Act 2: "Dormono entrambi!" (Norma) - Bellini: Norma -
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Bellini: Norma, Act 1: "Ite sul colle... Dell' aura tua profetica" (Oroveso, Coro) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Svanir le voci!" (Pollione, Flavio) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Oh! Rimembranza!" (Norma, Adalgisa) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Olà! Clotilde!" (Norma, Clotilde) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Mi chiami, o Norma?" (Adalgisa, Norma) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Meco all'altar di Venere" (Pollione) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Ah sì, fa core, abbracciami" (Norma, Adalgisa) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Odi?... I suoi riti a compiere" (Flavio, Coro, Pollione) - Bellini: Norma -
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Bellini: Norma, Act 2: "Deh! Con te, con te li prendi" (Norma, Adalgisa) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Ma di'... l'amato giovane" (Norma, Adalgisa, Pollione) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Mira, o Norma" (Norma, Adalgisa) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Oh, di qual sei tu vittima" (Norma, Adalgisa, Pollione) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Me protegge, me difende" (Pollione) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Cedi... deh, cedi!" (Adalgisa, Norma) - Bellini: Norma -
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Bellini: Norma, Act 1: "Perfido!" - "Or basti" (Norma, Adalgisa, Pollione) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Norma viene" (Coro) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Vanne, sì, mi lascia, indegno" (Norma, Adalgisa, Pollione, Coro) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Sediziose voci" (Norma, Oroveso, Coro) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Sì, fino all'ore estreme" (Norma, Adalgisa) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Non parti?" (Coro) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Casta diva" (Norma, Oroveso, Coro) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Guerrieri! a voi venirne" (Oroveso, Coro) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Fine al rito e il sacro bosco" (Norma, Oroveso, Coro) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Ah! Bello a me ritorna" (Norma, Oroveso, Coro) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Ah! del Tebro al giogo indegno" (Oroveso, Coro) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Ei tornerà. Sì!" (Norma, Clotilde) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Sgombra è la sacra selva" (Adalgisa) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Eccola! Va, mi lascia" (Pollione, Adalgisa) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Squilla il bronzo del Dio!" (Coro, Oroveso, Norma) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Va, crudele" (Pollione, Adalgisa) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Guerra! Guerra!" (Coro) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 1: "Vieni in Roma" (Pollione, Adalgisa) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Né compi il rito, o Norma?" (Oroveso, Norma, Clotilde, Coro, Pollione) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "In mia man alfin tu sei" (Norma, Pollione) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Già mi pasco ne' tuoi sguardi" (Norma, Pollione) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Dammi quel ferro!" (Coro, Norma, Pollione, Oroveso) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Qual cor tradisti" (Coro, Norma, Pollione, Oroveso) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Norma! Deh! Norma, scòlpati!" (Coro, Norma, Pollione, Oroveso) - Bellini: Norma -
Vittorio Gui
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Bellini: Norma, Act 2: "Deh! Non volerli vittime" (Coro, Norma, Pollione, Oroveso) - Bellini: Norma -
Vittorio Gui
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