Filippo Maria Bressan
Filippo Maria Bressan (born 27 November 1957 in Este) is an Italian conductor.
Training pianist, he studied conducting with several teachers, among whom stand out Jurgen Jürgens, for the choir conducting (of which he later became assistant), and Karl Österreicher, in Vienna, for orchestra conductingspecializing himself, among others, with John Eliot Gardiner, Ferdinand Leitner and Giovanni Acciai for musicology.
Permanent conductor of Orchestra Sinfonica di Savona and of Jupiter Orchestra (formerly Orchestra dell'Accademia Musicale), he chose to work mainly in Italy or nearby. He has conducted other Orchestras including the Saint Petersburgs State Academic Symphonic Orchestra, Orchestra of Opéra Royal de Wallonie, the Orchestra Sinfonica Nazionale della RAI, the Orchestra and Choir of Accademia Nazionale di Santa Cecilia in Rome, Orchestra and Choir of Teatro La Fenice of Venice and almost all the major Italian orchestras. In the field of Opera he conducted numerous works of the baroque and classical period, favoring authors such as Händel, Gluck, Mozart, Rossini.
Many the collaborations, as conductor or choir master, both in the field of opera and symphonic, including with Claudio Abbado, Luciano Berio, Rudolf Buchbinder, Frans Brüggen, Giuliano Carmignola, Myung-whun Chung, Carlo Colombara, Enrico Dindo, Martin Fröst, Carlo Maria Giulini, Peter Maag, Lorin Maazel, Sara Mingardo, Michael Nyman, Arvo Pärt, Mstislav Leopol'dovič Rostropovič, Georges Prêtre, Giuseppe Sinopoli, Giovanni Sollima, Jeffrey Tate, Roman Vlad and many others.
He was guest conductor for five years at the Teatr Wielki in Poznań, for two years at the Teatro Lirico di Cagliari, principal conductor of the Accademia de li Musici and currently Voxonus. He is a regular guest of the major concert companies and major Italian festivals of symphonic, ancient and contemporary music (Accademia Musicale Chigiana of Siena, Venice Biennale, Festival Monteverdi of Cremona, MITO SettembreMusica, Sagra Musicale Umbra and many others). He founded Athestis Chorus & Academia de li Musici, - then Athestis Chorus & Orchestra -, a vocal and instrumental professional group specialized in the Baroque and classical repertoire, which closed its activity in 2009.
Always passionate on choral music, with choral ensembles directed by him, he won five first and two second prizes in national and international competitions and received the award of music critics in Gorizia in 1994, the Chiavi d’argento award in Chiavenna in 2004 and the award for Best Conductor at Tours in 2016.
From 2000 to 2002 he was invited to fill the position of Choir Masterof Accademia Nazionale di Santa Ceciliain Rome, in succession of Norbert Balatsch, position that he will not want to hold anymore in other Opera Houses.
He has conducted many other choral ensembles, including the Estonian Philharmonic Chamber Choir, the Estonian National Male Choir, the World Youth Choir in 2005 and 2016, the Coro Giovanile Italiano from 2003 to 2005, le Choeur National des Jeunes from 2014 to 2017, the Choirs of many Theaters and lyrical institutions.
He has collaborated in several projects on behalf of Feniarco, ECA-Europa Cantat, IFCM and in 2006 he was appointed by Prof. Bruno Cagli member of the scientific committee of the Gioachino Rossini Foundation in Pesaro.
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Arianna, SF 493, Part II Scene 5: Qual mai gran doglia…? (Bacco, Sileno) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part I Scene 9: Teseo non dubitar (Bacco, Teseo, Sileno) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Sinfonia: Presto - Marcello: Arianna -
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Arianna, SF 493, Part II Scene 5: Nave che solca profondo mare (Bacco) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part I Scene 9: O quante volte sentito avrai (Teseo) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Sinfonia: Largo - Marcello: Arianna -
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Arianna, SF 493, Part I Scene 10: Come sì presto divenisti amante? (Sileno, Bacco) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Sinfonia: Presto (II) - Marcello: Arianna -
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Arianna, SF 493, Part II Scene 6: Stelle, voi che reggete (Fedra, Teseo) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part I Scene 1: Sù, nocchieri sciogliamo le vele (Sailors) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part I Scene 11: Vieni Arianna (Bacco, Arianna, Sileno) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part II Scene 6: Non è si forte la quercia al vento (Teseo) - Marcello: Arianna -
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Arianna, SF 493, Part II Scene 7: Teseo, tempo è che siamo ambi felici (Bacco, Teseo) - Marcello: Arianna -
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Arianna, SF 493, Part I Scene 1: Fedra, il tempo quest'è (Teseo, Fedra) - Marcello: Arianna -
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Arianna, SF 493, Part I Scene 11: Tra gli astri splenderà (Bacco) - Marcello: Arianna -
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Arianna, SF 493, Part I Scene 1: So quanto piangerai (Fedra) - Marcello: Arianna -
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Arianna, SF 493, Part II Scene 8: Satiretti lascivetti (Bassarids, Satyrs, Peasant Women, Fauns) - Marcello: Arianna -
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Arianna, SF 493, Part I Scene 12: Deh scuoprimi, o Sileno (Arianna, Sileno) - Marcello: Arianna -
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Arianna, SF 493, Part I Scene 12: Nel paese dove il sol esce fuora (Sileno) - Marcello: Arianna -
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Arianna, SF 493, Part II Scene 8: Che mai sentiam? (Fedra, Teseo) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part I Scene 2: Qual mai gran pena (Teseo) - Marcello: Arianna -
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Arianna, SF 493, Part II Scene 8: Lascia di più languir (Fedra) - Marcello: Arianna -
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Arianna, SF 493, Part I Scene 12: Che favellar è il tuo? (Arianna, Sileno) - Marcello: Arianna -
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Arianna, SF 493, Part I Scene 2: Se ad appagar volesse il cielo (Teseo) - Marcello: Arianna -
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Arianna, SF 493, Part II Scene 9: Qual forza ignota a ritornar mi tragge? (Arianna, Teseo, Fedra, Bacco) - Marcello: Arianna -
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Arianna, SF 493, Part I Scene 3: A terra, a terra (Bacco) - Marcello: Arianna -
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Arianna, SF 493, Part I Scene 12: Ma già scoperti d'Amor i crud'inganni (Arianna) - Marcello: Arianna -
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Arianna, SF 493, Part II Scene 9: Latte, e mele ecco vegg'io (Teseo) - Marcello: Arianna -
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Arianna, SF 493, Part I Scenes 4 and 5: Ebbre bessaridi (Bassarids, Satyrs, Fauns) - Marcello: Arianna -
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Arianna, SF 493, Part I Scene 12: Se no'l conosci ancora (Sileno) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part II Scene 10: Signor, questa corona (Sileno, Arianna, Bacco, Fedra, Teseo) - Marcello: Arianna -
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Arianna, SF 493, Part I Scenes 4 and 5: Qual suono strepitoso (Arianna, Bacco, Sileno) - Marcello: Arianna -
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Arianna, SF 493, Part I Scene 12: Viva il forte, viva il grande (Bacco's Followers) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part II Scene 10: Che dolce foco in petto (Arianna) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part II Scene 1: Invan mi fuggi (Arianna, Fedra) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part I Scenes 4 and 5: Re de' venti (Bacco) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part I Scenes 4 and 5: Ah, che veggio? (Arianna, Bacco, Sileno) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part II Scene 1: Non è colpa del mio core (Fedra) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part II Scene 2: Arianna (Teseo, Arianna) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part I Scenes 4 and 5: È più tenace di vischio (Sileno) - Marcello: Arianna -
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Arianna, SF 493, Part I Scene 6: Miseri noi! (Teseo, Fedra) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part II Scene 2: Come mai puoi vedermi piangere…? (Arianna) - Marcello: Arianna -
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Arianna, SF 493, Part II Scene 3: È questa la vendetta…? (Bacco, Sileno, Arianna, Teseo) - Marcello: Arianna -
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Arianna, SF 493, Part I Scene 7: No, scellerato! (Arianna, Fedra, Teseo) - Marcello: Arianna -
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Arianna, SF 493, Part II Scene 3: Conosco il mio fallo (Teseo) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part I Scene 7: Incauta farfalletta (Arianna) - Marcello: Arianna -
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Arianna, SF 493, Part II Scene 4: Possibile, Arianna…? (Bacco, Arianna) - Marcello: Arianna -
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Arianna, SF 493, Part I Scene 8: O mio rossor (Fedra, Teseo) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part I Scene 8: Se vier non poss'io (Fedra) - Marcello: Arianna -
Filippo Maria Bressan
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Arianna, SF 493, Part II Scene 4: Spero di vendicarmi (Arianna) - Marcello: Arianna -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner": Campane da morto - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner": Organ Sonata in G Minor, SF. C737 - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Introitus: I. Requiem aeternam - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Introitus: II. Kyrie I and II - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Introitus: III. Christie - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Introitus: IV. Kyrie III - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Sequentia: I. Dies irae - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Sequentia: II. Quantus tremor - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Sequentia: III. Tuba mirum - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Sequentia: IV. Mors stupebit - Marcello: Requiem In The Venetian Manner -
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Requiem, S. B660, "Requiem in the Venitian Manner", Sequentia: V. Liber scriptus - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Sequentia: VI. Rex tremendae - Marcello: Requiem In The Venetian Manner -
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Requiem, S. B660, "Requiem in the Venitian Manner", Sequentia: VII. Recordare - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Sequentia: VIII. Qui Mariam - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Sequentia: IX. Preces meae - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Sequentia: X. Inter oves - Marcello: Requiem In The Venetian Manner -
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Requiem, S. B660, "Requiem in the Venitian Manner", Sequentia: XI. Confutatis - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Sequentia: XII. Ora supplex - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Sequentia: XIII. Lacrymosa - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Offertorium: Domine Jesu Christe - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner": Organ Sonata in G Minor, SF. C736 - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Dulcis Jesu Mater cara, SF. B637: I. Dulcis Jesu, Mater cara - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Dulcis Jesu Mater cara, SF. B637: II. In stellarum Regina - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Dulcis Jesu Mater cara, SF. B637: III. In isto mundo labili - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Communio: I. Lux aeterna - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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Requiem, S. B660, "Requiem in the Venitian Manner", Communio: II. Requiem aeternam - Marcello: Requiem In The Venetian Manner -
Filippo Maria Bressan
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