Etienne Pasquier
Étienne Pasquier (7 June 1529 – 1 September 1615) was a French lawyer and man of letters. By his own account he was born in Paris on 7 June 1529, but according to others he was born in 1528. He was called to the Paris bar in 1549.
In 1558 he became very ill by eating poisonous mushrooms and took two years to recover. This compelled him to occupy himself with literary work and in 1560 he published the first book of his Recherches de la France. In 1565, when he was thirty-seven he became famous after giving a speech in which he pleaded the cause of the University of Paris against the Jesuits and won it. Meanwhile, he pursued the Recherches steadily and published other miscellaneous work from time to time.His literary and his legal occupations coincided in a curious fashion at the Grands Jours of Poitiers in 1579. These Grands Jours (an institution which fell into desuetude at the end of the 17th century, with bad effects on the social and political welfare of the French provinces) were a kind of irregular assize in which a commission of the parlement of Paris, selected and dispatched at short notice by the king, had full power to hear and determine all causes, especially those in which seignorial rights had been abused. At the Grands Jours of Poitiers of the date mentioned and at those of Troyes in 1583, Pasquier officiated; and each occasion has left a curious literary memorial of the jests with which he and his colleagues relieved their graver duties. The Poitiers work was the celebrated collection of poems on flea (La Puce de Madame Des Roches, published 1583; see Catherine Des Roches).In 1585 Pasquier was appointed by Henry III advocate-general at the Paris cours des comptes, an important body having political as well as financial and legal functions. Here he distinguished himself particularly by opposing, sometimes successfully, the system of selling hereditary places and offices. The civil wars forced Pasquier to leave Paris and for some years he lived in Tours, working steadily on his great book, but he returned to Paris in Henry IV's train in March 1594. He continued until 1604 with his work on the chambre des comptes; then he retired. He lived more than ten years in retirement, producing much literary work and died after a few hours' illness on 1 September 1615.In so long and so laborious a life, Pasquier's work was substantial but has never been fully collected or printed. The standard edition is that of Amsterdam (2 vols. fol., 1723). But for ordinary readers the selections of Leon Feugbre, published in Paris (2 vols. 8vo, 1849), with an elaborate introduction, are most accessible. As a poet Pasquier is chiefly interesting as a minor member of the Pléiade movement. As a prose writer he is much more accomplished. The three chief divisions of his prose work are his Recherches, his letters and his professional speeches. The letters are of much biographical interest and historical importance and the Recherches contain in a somewhat miscellaneous fashion invaluable information on a vast variety of subjects, literary, political, antiquarian and others.
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Quatuor pour la fin du Temps pour violon, clarinette, violoncelle et piano: 1. Liturgie de cristal - Messiaen: Quatuor pour la fin du Temps -
Etienne Pasquier
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Quatuor pour la fin du Temps pour violon, clarinette, violoncelle et piano: 2. Vocalise, pour l'ange qui annonce la fin du temps - Messiaen: Quatuor pour la fin du Temps -
Etienne Pasquier
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Quatuor pour la fin du Temps pour violon, clarinette, violoncelle et piano: 3. Abîme des oiseaux - Messiaen: Quatuor pour la fin du Temps -
Etienne Pasquier
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Quatuor pour la fin du Temps pour violon, clarinette, violoncelle et piano: 4. Intermède - Messiaen: Quatuor pour la fin du Temps -
Etienne Pasquier
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Quatuor pour la fin du Temps pour violon, clarinette, violoncelle et piano: 5. Louange à l'éternité de Jésus - Messiaen: Quatuor pour la fin du Temps -
Etienne Pasquier
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Quatuor pour la fin du Temps pour violon, clarinette, violoncelle et piano: 6. Danse de la fureur, pour les sept trompettes - Messiaen: Quatuor pour la fin du Temps -
Etienne Pasquier
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Quatuor pour la fin du Temps pour violon, clarinette, violoncelle et piano: 7. Fouillis d'arcs-en-ciel, pour l'ange qui annonce la fin du temps - Messiaen: Quatuor pour la fin du Temps -
Etienne Pasquier
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Quatuor pour la fin du Temps pour violon, clarinette, violoncelle et piano: 8. Louange à l'immortalité de Jésus - Messiaen: Quatuor pour la fin du Temps -
Etienne Pasquier
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Concerto for Flute and Harp in C Major, K. 299: I. Allegro - Cadence By Reynaldo Hahn - Mozart: Concerto pour flûte et harpe, Sonate pour violon et piano No. 32 & Duo pour basson et violoncelle (Mono Version) -
Etienne Pasquier
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Concerto for Flute and Harp in C Major, K. 299: II. Andantino - Cadence By Reynaldo Hahn - Mozart: Concerto pour flûte et harpe, Sonate pour violon et piano No. 32 & Duo pour basson et violoncelle (Mono Version) -
Etienne Pasquier
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Concerto for Flute and Harp in C Major, K. 299: III. Rondo. Allegro - Cadence By Reynaldo Hahn - Mozart: Concerto pour flûte et harpe, Sonate pour violon et piano No. 32 & Duo pour basson et violoncelle (Mono Version) -
Etienne Pasquier
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Violin Sonata No. 32 in B-Flat Major, K. 454: I. Largo - Allegro - Mozart: Concerto pour flûte et harpe, Sonate pour violon et piano No. 32 & Duo pour basson et violoncelle (Mono Version) -
Etienne Pasquier
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Violin Sonata No. 32 in B-Flat Major, K. 454: II. Andante - Mozart: Concerto pour flûte et harpe, Sonate pour violon et piano No. 32 & Duo pour basson et violoncelle (Mono Version) -
Etienne Pasquier
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Violin Sonata No. 32 in B-Flat Major, K. 454: III. Allegretto - Mozart: Concerto pour flûte et harpe, Sonate pour violon et piano No. 32 & Duo pour basson et violoncelle (Mono Version) -
Etienne Pasquier
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Duo for Bassoon and Cello in B-Flat Major, K. 292: I. Allegro - Mozart: Concerto pour flûte et harpe, Sonate pour violon et piano No. 32 & Duo pour basson et violoncelle (Mono Version) -
Etienne Pasquier
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Duo for Bassoon and Cello in B-Flat Major, K. 292: II. Andante - Mozart: Concerto pour flûte et harpe, Sonate pour violon et piano No. 32 & Duo pour basson et violoncelle (Mono Version) -
Etienne Pasquier
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Duo for Bassoon and Cello in B-Flat Major, K. 292: III. Rondo. Allegro - Mozart: Concerto pour flûte et harpe, Sonate pour violon et piano No. 32 & Duo pour basson et violoncelle (Mono Version) -
Etienne Pasquier
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Nouveaux concerts "Les goûts-réünis", Concert No. 14: I. Gravement - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Nouveaux concerts "Les goûts-réünis", Concert No. 14: II. Allemande. Vivement - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Nouveaux concerts "Les goûts-réünis", Concert No. 14: III. Sarabande grave - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Nouveaux concerts "Les goûts-réünis", Concert No. 14: IV. Fuguéte - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Les nations, Quatrième ordre "L'astrée", Sonade: I. Gravement - Vivement - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Les nations, Quatrième ordre "L'astrée", Sonade: II. Gravement - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Les nations, Quatrième ordre "L'astrée", Sonade: III. Vivement et marqué - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Les nations, Quatrième ordre "L'astrée", Sonade: IV. Air. Gracieusement - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Les nations, Quatrième ordre "L'astrée", Sonade: V. Gravement et marqué - Légèrement - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Nouveaux concerts "Les goûts-réünis", Concert No. 10: I. Gravement et mesuré - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Nouveaux concerts "Les goûts-réünis", Concert No. 10: II. Air tendre et louré - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Nouveaux concerts "Les goûts-réünis", Concert No. 10: III. Plainte. Lentement et douloureusement - Plus légèrement et coulé - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Nouveaux concerts "Les goûts-réünis", Concert No. 10: IV. La tromba. Légèrement - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Les nations, Troisième ordre "L'impériale", Sonade: I. Gravement - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Les nations, Troisième ordre "L'impériale", Sonade: II. Vivement - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Les nations, Troisième ordre "L'impériale", Sonade: III. Gravement et marqué - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Les nations, Troisième ordre "L'impériale", Sonade: IV. Légèrement - Rondement - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Les nations, Troisième ordre "L'impériale", Sonade: V. Vivement - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Nouveaux concerts "Les goûts-réünis", Concert No. 6: I. Gravement et mesuré - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Nouveaux concerts "Les goûts-réünis", Concert No. 6: II. Allemande à quatre temps légers. Vivement - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Nouveaux concerts "Les goûts-réünis", Concert No. 6: III. Sarabande mesurée. Noblement - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Nouveaux concerts "Les goûts-réünis", Concert No. 6: IV. Air de diable. Très vite - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Nouveaux concerts "Les goûts-réünis", Concert No. 6: V. Sicilienne. Tendrement et louré - Couperin: Les nations & Les goûts-réünis, extraits (Stereo Version) -
Etienne Pasquier
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Trio pour cordes in G Major, Op. 9, No. 1: I. Adagio - Allegro con brio - Beethoven: Trio pour cordes, Op. 9, No. 1 & Sérénade, Op. 8 (Mono Version) -
Etienne Pasquier
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Trio pour cordes in G Major, Op. 9, No. 1: II. Adagio ma non tatto and cantabile - Beethoven: Trio pour cordes, Op. 9, No. 1 & Sérénade, Op. 8 (Mono Version) -
Etienne Pasquier
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Trio pour cordes in G Major, Op. 9, No. 1: III. Scherzo - Allegro - Beethoven: Trio pour cordes, Op. 9, No. 1 & Sérénade, Op. 8 (Mono Version) -
Etienne Pasquier
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Trio pour cordes in G Major, Op. 9, No. 1: IV. Presto - Beethoven: Trio pour cordes, Op. 9, No. 1 & Sérénade, Op. 8 (Mono Version) -
Etienne Pasquier
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Sérénade in D Major, Op. 8: I. Marcia. Allegro - Beethoven: Trio pour cordes, Op. 9, No. 1 & Sérénade, Op. 8 (Mono Version) -
Etienne Pasquier
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Sérénade in D Major, Op. 8: II. Adagio - Beethoven: Trio pour cordes, Op. 9, No. 1 & Sérénade, Op. 8 (Mono Version) -
Etienne Pasquier
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Sérénade in D Major, Op. 8: III. Menuetto. Allegretto - Beethoven: Trio pour cordes, Op. 9, No. 1 & Sérénade, Op. 8 (Mono Version) -
Etienne Pasquier
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Sérénade in D Major, Op. 8: IV. Adagio - Beethoven: Trio pour cordes, Op. 9, No. 1 & Sérénade, Op. 8 (Mono Version) -
Etienne Pasquier
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Sérénade in D Major, Op. 8: V. Allegretto alla polacca - Beethoven: Trio pour cordes, Op. 9, No. 1 & Sérénade, Op. 8 (Mono Version) -
Etienne Pasquier
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Sérénade in D Major, Op. 8: VI. Tema con variazioni. Andante quasi allegretto - Beethoven: Trio pour cordes, Op. 9, No. 1 & Sérénade, Op. 8 (Mono Version) -
Etienne Pasquier
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Sérénade in D Major, Op. 8: VII. Allegro - Beethoven: Trio pour cordes, Op. 9, No. 1 & Sérénade, Op. 8 (Mono Version) -
Etienne Pasquier
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Sonata for Viola da gamba and Harpsichord No. 2 in D Major, BWV 1028: I. Adagio - Transcribed for Cello and Harpsichord - Bach: Fugue pour violon, BWV 1026, Sonate pour violoncelle No. 2, BWV 1028 & Sonate en trio, BWV 1038 (Mono Version) -
Etienne Pasquier
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Sonata for Viola da gamba and Harpsichord No. 2 in D Major, BWV 1028: II. Allegro - Transcribed for Cello and Harpsichord - Bach: Fugue pour violon, BWV 1026, Sonate pour violoncelle No. 2, BWV 1028 & Sonate en trio, BWV 1038 (Mono Version) -
Etienne Pasquier
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Sonata for Viola da gamba and Harpsichord No. 2 in D Major, BWV 1028: III. Andante - Transcribed for Cello and Harpsichord - Bach: Fugue pour violon, BWV 1026, Sonate pour violoncelle No. 2, BWV 1028 & Sonate en trio, BWV 1038 (Mono Version) -
Etienne Pasquier
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Sonata for Viola da gamba and Harpsichord No. 2 in D Major, BWV 1028: IV. Allegro - Transcribed for Cello and Harpsichord - Bach: Fugue pour violon, BWV 1026, Sonate pour violoncelle No. 2, BWV 1028 & Sonate en trio, BWV 1038 (Mono Version) -
Etienne Pasquier
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Trio Sonata for Flute, Violin and Continuo in G Major, BWV 1038: I. Largo - Bach: Fugue pour violon, BWV 1026, Sonate pour violoncelle No. 2, BWV 1028 & Sonate en trio, BWV 1038 (Mono Version) -
Etienne Pasquier
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Trio Sonata for Flute, Violin and Continuo in G Major, BWV 1038: II. Vivace - Bach: Fugue pour violon, BWV 1026, Sonate pour violoncelle No. 2, BWV 1028 & Sonate en trio, BWV 1038 (Mono Version) -
Etienne Pasquier
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Trio Sonata for Flute, Violin and Continuo in G Major, BWV 1038: III. Adagio - Bach: Fugue pour violon, BWV 1026, Sonate pour violoncelle No. 2, BWV 1028 & Sonate en trio, BWV 1038 (Mono Version) -
Etienne Pasquier
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Trio Sonata for Flute, Violin and Continuo in G Major, BWV 1038: IV. Presto - Bach: Fugue pour violon, BWV 1026, Sonate pour violoncelle No. 2, BWV 1028 & Sonate en trio, BWV 1038 (Mono Version) -
Etienne Pasquier
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Fugue for Violin and Continuo in G Minor, BWV 1026 - Bach: Fugue pour violon, BWV 1026, Sonate pour violoncelle No. 2, BWV 1028 & Sonate en trio, BWV 1038 (Mono Version) -
Etienne Pasquier
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