John Relyea
John Relyea (born 1972 in Toronto) is a Canadian-American operatic bass.
He was born in 1972 in Toronto, Ontario, Canada, to American-born Gary Relyea and Estonian mother Anna Tamm-Relyea. Both parents are opera singers and voice teachers. He first studied voice at age 17 with his father.
Relyea attended the Curtis Institute of Music vocal program in Philadelphia. He later continued his vocal training with renowned American operatic bass Jerome Hines, voice teacher Armen Boyajian, and with Bulgarian bass Nicolai Ghiuselev.
After attending the Curtis Institute he continued his training as an apprentice in the San Francisco Opera's Adler Fellowship. He has appeared in over 20 roles on the San Francisco Opera stage.
His international opera career began in 2000 as Alidoro in Rossini's La Cenerentola, in a highly-acclaimed debut with Metropolitan Opera. He has since appeared there in over 240 performances.
His vast repertoire of roles has seen him appear with major international opera houses including the Royal Opera House, the Opera National de Paris, Bayerische Staatsoper, La Scala, Liceu of Barcelona, Teatro Real of Madrid, Canadian Opera Company, and many others.
Throughout his career he has been renowned for interpretations of the role of Figaro in Le Nozze de Figaro, Mephisto in Berlioz’s La Damnation de Faust and Gounod’s Faust, King Marke in Wagner’s Tristan und Isolde, and the title role of Bartok’s Bluebeard’s Castle. He most frequently performs roles of Verdi and Wagner.
He has also performed a wide span of concert repertoire with major Symphony Orchestras worldwide, including the Berlin Philharmonic, London Symphony Orchestra, London Philharmonic, New York Philharmonic, Boston Symphony Orchestra, Chicago Symphony, Cleveland Orchestra, LA Philharmonic, Toronto Symphony, Montreal Symphony, Philharmonie de Paris, Swedish Radio Orchestra, and NDR Hamburg.
Mr Relyea currently resides in Rhode Island with his wife and two sons.
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Haj rejo rejtem - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Megérkeztünk - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Ez a Kékszakállú vára! - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Miért jöttel hozzám, Judit? - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Nagu csukott ajókat látok - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Oh, a várad felsóhajtott! - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Jaj! - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Mit létsz! - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Váram sötet töve reszket - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Oh, be sok kincs! - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Oh! Virágok! - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Ah! - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Nézd, tündököl az én váram - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Csendes fehér tavat látok - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Az utolsót nem nyitom ki - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Mondd meg nekem Kékszakállú - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Tudom, tudom Kékszakállú - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Lásd a régi asszonyokat - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Hajnalban az elsot leltem - Bartók: Bluebeard's Castle -
John Relyea
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Bluebeard's Castle, Op. 11, Sz. 48, BB 62: Negyediket éjjel leltem - Bartók: Bluebeard's Castle -
John Relyea
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Messiah, HWV 56: No. 1, Overture (Sinfony) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 22, Chorus "Behold the Lamb of God" - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 2, Accompagnato "Comfort ye, comfort ye my people" (Tenor) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 23, Air "He was despised and rejected of men" (Mezzo-soprano) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 3, Air "Ev'ry valley shall be exalted" (Tenor) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 24, Chorus "Surely, He hath borne our griefs and carried our sorrows" - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 4, Chorus "And the Flory of the Lord shall be revealed" - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 25, Chorus "And with His stripes we are healed" - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 5, Accompagnato "Thus saith the Lord" (Bass) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 26, Chorus "All we like sheep have gone astray" - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 6, Air "'But who may abide the day of his coming!" (Mezzo-soprano) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 27, Accompagnato "All they that see Him laugh Him to scorn" (Tenor) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 7, Chorus "And He shall purify the sons of Levi" - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 28, Chorus. 'He trusted in God that He would deliver Him'. - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 8, Recitative "Behold! A virgin shall conceive" (Mezzo-soprano) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 29, Accompagnato "Thy rebuke hath broken His Heart" (Tenor) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 9, Air "O thou that tellest good tidings to Zion" (Mezzo-soprano and Chorus) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 30, Arioso "Behold, and see if there by any sorrow like unto His sorrow" (Tenor) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 10, Accompagnato "For behold, darkness shall cover the earth" (Bass) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 31, Accompagnato "He was cut off out of the land of the living" (Tenor) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 11, Air "The people that walked in darkness have seen a great light" (Bass) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 32, Air "But thou didst not leave His soul in Hell" (Tenor) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 12, Chorus "For unto us a Child is born" - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 33, Chorus "Lift up your heads, O ye gates" - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 13, Pastoral Symphony (Pifa) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 37, Chorus "The Lord gave the word" - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 14a, Recitative "There were shepherds abiding in the field" (Soprano) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 38, Air "How beautiful are the feet of them that preach the gospel of peace" (Soprano) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 14b, Accompagnato "And lo, the angel of the Lord came upon them" (Soprano) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 40, Air "Who do the nations so furiously rage together" (Bass) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 15, Recitative "And the angel said unto them" (Soprano) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 41, Chorus "Let us break their bonds asunder" - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 16, Accompagnato "And suddenly there was with the angel a multitude..." (Soprano) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 42, Recitative "He that dwelleth in heaven shall laugh them to scorn" (Tenor) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 17, Chorus "Glory to God in the highest" - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 43, Air "Thou shalt break them with a rod of iron" (Tenor) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 18, Air "Rejoice greatly, O daughter of Zion" (Soprano) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 44, Chorus "Hallelujah!" - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 19, Recitative "Then shall the eyes of the blind be open'd" (Mezzo-soprano) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 45, Air "I know that my Redeemer liveth" (Soprano) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 20, Duet . "He shall feed His flock like a shepherd" (Mezzo-soprano and Soprano) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 46, Chorus "Since by man came death" - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 21, Chorus. 'His yoke is easy'. Not too fast and with lots of bounce! - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 47, Accompagnato "Behold, I tell you a mystery" (Bass) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 48, Air "The trumpet shall sound" (Bass) - Handel: Messiah -
John Relyea
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Messiah, HWV 56: No. 53, Chorus "Worthy is the Lamb that was slain" - Handel: Messiah -
John Relyea
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The Dream of Gerontius, Op. 38: Part I: Prelude - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: Introduction - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part I: Jesu, Maria - I am near to death (Gerontius) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: I went to sleep (The Soul of Gerontius) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part I: Kyrie eleison (Chorus) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: My work is done (The Angel, The Soul of Gerontius) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part I: Rouse thee, my fainting soul (Gerontius) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: All hail, my child and brother, hail! (The Angel, The Soul of Gerontius) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part I: Be merciful, be gracious (Chorus) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: Low-born clods of brute earth (Chorus) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part I: Sanctus fortis, Sanctus Deus (Gerontius) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: It is the restless panting of their being (The Angel) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part I: I can no more; for now it comes again (Gerontius) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: The mind bold and independent (Chorus) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part I: Rescue him, O Lord (Chorus) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: I see not those false spirits (The Soul of Gerontius, The Angel) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part I: Novissima hora est (Gerontius) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: Praise to the Holiest (Chorus, Angel) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part I: Profiscere, anima Christiana (The Priest) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: The sound is like the rushing of the wind (The Soul of Gerontius) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part I: Go, in the name of Angels (Chorus) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: Glory to Him (Chorus) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: They sing of thy approaching agony (The Angel, The Soul of Gerontius) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: But hark! A grand mysterious harmony (The Soul of Gerontius) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: And now the threshold as we traverse it (The Angel) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: Praise to the Holiest in the height (Chorus) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: The judgment now is near (The Angel, The Soul of Gerontius) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: Jesu! By that shuddering dread which fell on Thee (The Angel of the Agony) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: Be merciful, be gracious (Chorus) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: Praise to His Name! (The Angel) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: Take me away (The Soul of Gerontius) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: Lord, Thou hast been our refuge (Chorus) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: Softly and gently, dearly-ransomed (The Angel, Chorus) - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: Lord, Thou hast been our refuge - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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The Dream of Gerontius, Op. 38: Part II: Praise to the Holiest - Elgar: The Dream of Gerontius, Op. 38 -
John Relyea
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