Harry Bicket
Harry Alexander Clarence Bicket (born 1961) is a British conductor, harpsichordist and organist. He is particularly associated with the baroque and classical repertoire.
Bicket was educated at Radley College, Christ Church, Oxford, where he was an organ scholar, and the Royal College of Music. Before Oxford, he was an organ scholar at St George's Chapel, Windsor. Afterwards, he was sub-organist at Westminster Abbey, during which time he performed at the wedding of Sarah Ferguson and Prince Andrew. He first performed on the harpsichord in 1983 at The Proms as an emergency deputy, his first-ever public performance on harpsichord.
As a conductor, Bicket became known when he stood in as a replacement to conduct Peter Sellars' production of Handel's opera Theodora with Dawn Upshaw, Lorraine Hunt Lieberson and David Daniels, at the Glyndebourne Festival in 1996. In 2003, Bicket made his Covent Garden debut conducting Handel's Orlando with the Orchestra of the Age of Enlightenment (OAE). In 2004, Bicket made his first appearance at the Metropolitan Opera in a production of Rodelinda with Renée Fleming in the title role. He returned to Handel and the Met in 2020, conducting a production new to that house of Agrippina.
In October 2006, Bicket was named music director of The English Concert, and formally assumed the post in September 2007, his first orchestral directorship. He first worked with The English Concert as a harpsichordist in 1984. Bicket has conducted commercial recordings with The English Concert for Harmonia Mundi.
Bicket first conducted at Santa Fe Opera (SFO) in 2004, in a production of Agrippina. He returned to SFO as conductor for subsequent productions of Platée (2007) and Radamisto (2008). In April 2013, SFO named Bicket its next chief conductor, effective 1 October 2013. Although the formal press release did not indicate a specific time length of Bicket's initial contract, SFO general director Charles MacKay stated an informal duration of 4–5 years. In November 2016, Santa Fe Opera announced the extension of Bicket's contract as chief conductor through 30 September 2020. In February 2018, Santa Fe Opera announced the elevation of Bicket's title from chief conductor to music director of the company, effective 1 October 2018. In October 2018, Santa Fe Opera announced the extension of Bicket's contract with the company, as music director, through the 2023 season.
In addition to recording with The English Concert, Bicket has conducted commercial recordings with other ensembles for various labels, including Decca, Avie, and EMI.
He was appointed Officer of the Order of the British Empire (OBE) in the 2022 Birthday Honours for services to music.
Bicket is married to the environmental scholar Audrey de Nazelle, of Imperial College London. The family resides in London.
Handel: Serse
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Serse, HWV 40: Ouverture - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act II: Arioso. Speranze mie fermate (Amastre) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Accompagnato. Frondi tenere (Serse) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act II: Arioso. Ah, chi voler fiora (Elviro) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Aria. Ombra mai fu (Serse) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act II: Recitativo. E chi direbbe mai (Elviro, Amastre) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Recitativo. Siam giunti, Elviro (Arsamene, Elviro) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act II: Aria. Or che siete (Amastre) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Sinfonia e Recitativo. Sento un soave concento (Arsamene, Elviro) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act II: Recitativo. Quel curioso è partito (Elviro) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Aria. O voi (Romilda, Arsamene, Elviro, Serse) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act II: Arioso e Recitativo. A piangere ogn’ora (Atalanta, Elviro) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Recitativo. Arsamene (Serse, Arsamene) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act II: Arioso. Ah, tigre infedele! (Elviro) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Aria. Và godendo vezzoso e bello (Romilda) - Handel: Serse -
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Serse, HWV 40, Act II: Recitativo. Parti, il re s’avvicina (Atalanta, Elviro) - Handel: Serse -
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Serse, HWV 40, Act I: Recitativo. Quel canto a un bell’amor (Serse, Arsamene) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act II: Arioso. È tormento troppo fiero (Serse) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Aria. Io le dirò che l’amo (Serse, Arsamene) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act II: Recitativo. Di quel foglio (Serse, Atalanta) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Recitativo. Arsamene (Romilda, Arsamene, Atalanta) - Handel: Serse -
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Serse, HWV 40, Act II: Aria. Dirà che amor (Atalanta) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Aria. Sì, sì, mio ben (Atalanta) - Handel: Serse -
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Serse, HWV 40, Act II: Recitativo. Voi quel foglio lasciate (Serse, Atalanta) - Handel: Serse -
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Serse, HWV 40, Act I: Recitativo. Presto, Signor (Elviro, Arsamene, Serse, Romilda) - Handel: Serse -
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Serse, HWV 40, Act II: Aria. Dirà che non m’amò (Atalanta) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Aria. Meglio in voi col mio partire (Arsamene) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act II: Recitativo. Ingannata Romilda! (Serse, Romilda) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Recitativo. Bellissima Romilda (Serse) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act II: Duettino. L’amerete? (Serse, Romilda) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Aria. Di tacere (Serse) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Recitativo. Aspide son (Romilda) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Aria. Nemmen coll’ombre (Romilda) - Handel: Serse -
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Serse, HWV 40, Act I: Aria. Se cangio spoglia (Amastre) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Recitativo. Pugnammo, amici (Ariodate, Amastre) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Coro. Già la tromba (Soldati) (I) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Recitativo. Ecco Serse (Amastre, Serse, Ariodate) - Handel: Serse -
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Serse, HWV 40, Act I: Aria. Soggetti al mio volere (Ariodate) - Handel: Serse -
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Serse, HWV 40, Act I: Coro. Già la tromba (Soldati) (II) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Recitativo. Queste vittorie (Serse, Amastre) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Aria. Più che penso (Serse) - Handel: Serse -
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Serse, HWV 40, Act I: Recitativo. Eccoti il foglio (Arsamene, Elviro) - Handel: Serse -
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Serse, HWV 40, Act I: Arioso. Signor, Signor (Elviro) - Handel: Serse -
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Serse, HWV 40, Act I: Aria. Non so se sia la speme (Arsamene) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Recitativo. Tradir di regia sposa (Amastre) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Aria. Saprà delle mie offese (Amastre) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Recitativo. Al fin sarete (Atalanta, Romilda) - Handel: Serse -
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Serse, HWV 40, Act I: Aria. Se l’idol moi (Romilda) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Recitativo. Per rapir quel tesoro (Atalanta) - Handel: Serse -
Harry Bicket
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Serse, HWV 40, Act I: Aria. Un cenno leggiadretto (Atalanta) - Handel: Serse -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1: Sonata - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 1: I. Introduction - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 1: I. Aria. Disserratevi, o porte d’Averno (Angel) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 1: II. Recitative. Di quai nuovi portenti (John) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 1: II. Recitative. Qual’ insolita luce (Lucifer) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 1: III. Aria. Ecco il sol, ch’esce dal mare (John) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 1: III. Aria. Caddi, è ver (Lucifer) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 1: IV. Recitative. Ma ove Maria dimora (John) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 1: IV. Recitative. Ma che veggio? (Lucifer, Angel) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 2: I. Aria. Risorga il mondo (Angel) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 1: V. Aria. D’amor fu consiglio (Angel) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 2: II. Recitative. Di rabbia indarno freme (Angel) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 1: VI. Recitative. E ben, questo tuo Nume (Lucifer, Angel) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 2: III. Recitative. Misero! ho pure udito? (Lucifer, Angel) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 1: VII. Aria. O voi, dell’Erebo (Lucifer) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 2: IV. Aria. Per celare il nuovo scorno (Lucifer) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 2: I. Recitative. Notte, notte funesta (Magdalene) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 2: V. Recitative. O come cieco il tuo furor delira! (Angel, Lucifer) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 2: II. Aria. Ferma l’ali (Magdalene) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 2: VI. Duet. Impedirlo saprò! (Lucifer, Angel) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 2: III. Recitative. Concedi, o Maddalena (Cleophas, Magdalene) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 3: I. Recitative. Amica, troppo tardo (Magdalene, Cleophas) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 2: IV. Aria. Piangete, sì, piangete (Cleophas) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 3: II. Aria. Per me già di morire (Magdalene) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 2: V. Recitative. Ahi, dolce mio Signore (Magdalene, Cleophas) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 3: III. Recitative. Ahi, abborrito nome! (Lucifer) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 2: VI. Duet. Dolci chiodi (Magdalene, Cleophas) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 4: I. Aria. Vedo il ciel che più sereno (Cleophas) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 2: VII. Recitative. O Cleofe, o Maddalena (John, Magdalene) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 4: II. Recitative. Cleofe, siam giunte al luogo (Magdalene, Cleophas, Angel) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 2: VIII. Aria. Quando è parto (John) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 4: III. Aria. Se per colpa di donna infelice (Angel) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 2: IX. Recitative. Ma dinne, e sarà vero (Cleophas, John, Magdalene) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 4: IV. Recitative. Mio Gesù, mio Signore (Magdalene) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 2: X. Aria. Naufragando va per l’onde (Cleophas) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 4: V. Aria. Del ciglio dolente (Magdalene) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 2: XI. Recitative. Itene pure, o fide (John, Magdalene) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 4: VI. Recitative. Sì, sì, cerchiamo pure (Cleophas) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 2: XII. Aria. Così la tortorella (John) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 4: VII. Aria. Augelletti, ruscelletti (Cleophas) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 5: I. Recitative. Dove sì frettolosi (John, Cleophas) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 2: XIII. Recitative. Se Maria dunque spera (Magdalene) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 5: II. Aria. Caro figlio! (John) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 2: XIV. Aria. Ho un non so che nel cor (Magdalene) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 3: I. Recitative. Uscite pure (Angel) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 5: III. Recitative. Cleofe, Giovanni, udite (Magdalene, John, Cleophas) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 1 Scene 3: II. Chorus. Il Nume vincitor (Angel, Chorus of Angels) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 5: IV. Aria. Se impassibile, immortale (Magdalene) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 5: V. Recitative. Sì, sì, col redentore (John, Cleophas, Magdalene) - Handel: La Resurrezione -
Harry Bicket
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La Resurrezione, HWV 47, Pt. 2 Scene 5: VI. Chorus. Diasi lode in cielo, in terra - Handel: La Resurrezione -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19: I. Ouverture - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scenes 1 & 2: Recitative. Già perdesti, o signora (Garibaldo, Eduige, Rodelinda) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 1: Recitative. Del german nel periglio (Eduige, Unulfo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19: II. Menuet - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 2: Aria. De’ miei scherni (Eduige) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 1: Aria. Un zeffiro spirò (Unulfo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 1: Aria. Ho perduto il caro sposo (Rodelinda) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 3: Recitative. Rodelinda, è pur ver …? (Grimoaldo, Rodelinda, Unulfo, Garibaldo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 1: Recitative. Con opra giusta (Eduige) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 1: Recitative. Regina! (Grimoaldo, Rodelinda) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 3: Aria. Spietati, io vi giurai (Rodelinda) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 1: Aria. Quanto più fiera (Eduige) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 1: Aria. L’empio rigor del fato (Rodelinda) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 4: Recitative. Unulfo, Garibaldo, in questo seno (Grimoaldo, Unulfo, Garibaldo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 2: Recitative. O falso è Bertarido (Garibaldo, Grimoaldo - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scenes 2 & 3: Recitative. Duca, vedesti mai (Grimoaldo, Garibaldo, Eduige) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 4: Aria. Prigioniera ho l’alma in pena (Grimoaldo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 2: Aria. Tra sospetti (Grimoaldo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 3: Aria. Io già t’amai (Grimoaldo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 4: Recitative. Massime così indegne (Unulfo, Garibaldo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 3: Aria, Accompagnato & Recitative. Chi di voi fu più infedele (Bertarido, Unulfo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 4: Recitative. E tu dici d’amarmi? (Eduige, Garibaldo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 4: Aria. Tirannia gli diede il regno (Garibaldo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 4: Recitative. Non temere (Eduige, Rodelinda) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 4: Aria. Lo farò (Eduige) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 4: Recitative. Sì, sì, fellon (Unulfo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 5: Recitative. Eduige, t’inganni (Garibaldo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 4: Aria. Fra tempeste funeste (Unulfo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 5: Aria. Di Cupido impiego i vanni (Garibaldo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 5: Aria & Recitative. Con rauco mormorio (Bertarido, Eduige) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 6: Sinfonia & Accompagnato. Pompe vane di morte (Bertarido) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 5: Recitative. Ah no, che non m’inganna (Eduige, Bertarido, Unulfo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 6: Aria. Dove sei, amato bene? (Bertarido) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 5: Aria. Scacciata dal suo nido (Bertarido) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 6: Recitative. Ma giunge Unulfo (Bertarido, Unulfo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 6: Recitative. Vive il mio sposo? (Rodelinda, Unulfo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 7: Aria & Recitative. Ombre, piante, urne funeste (Rodelinda, Bertarido, Unulfo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 6: Aria. Ritorna, o caro (Rodelinda) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 8: Recitative. Baci inutili e vani (Garibaldo, Bertarido, Unulfo, Rodelinda) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 7: Recitative. Ah, sì! Ecco lo sposo (Rodelinda, Bertarido, Grimoaldo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 8: Aria. Morrai, sì (Rodelinda) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 7: Aria. Tuo drudo è mio rivale (Grimoaldo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 9: Recitative. E ben, duca, poss’io (Grimoaldo, Garibaldo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 7: Recitative. Non ti bastò, consorte (Rodelinda, Bertarido) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 9: Aria. Se per te giungo a godere (Grimoaldo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 7: Duet. Io t’abbraccio, e più che morte (Rodelinda, Bertarido) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 10: Recitative. Unulfo, oh Dio! (Bertarido, Unulfo) - Handel: Rodelinda -
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 10: Aria. Sono i colpi della sorte (Unulfo) - Handel: Rodelinda -
Harry Bicket
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 11: Recitative. Sì, l’infida consorte (Bertarido) - Handel: Rodelinda -
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Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 11: Aria. Confusa si miri (Bertarido) - Handel: Rodelinda -
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Concerto à più instrumenti in D Major, Op. 5, No. 6: I. Allegro - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
Harry Bicket
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Concerto à più instrumenti in D Major, Op. 5, No. 6: II. Aria Cantabile - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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Concerto à più instrumenti in D Major, Op. 5, No. 6: III. Ciaccona - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
Harry Bicket
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Concerto à più instrumenti in D Major, Op. 5, No. 6: IV. Rondeau Allegro - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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Concerto à più instrumenti in D Major, Op. 5, No. 6: V. Allegro - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
Harry Bicket
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Cello Concerto in G Major: I. Amoroso - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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Cello Concerto in G Major: II. Allegro - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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Cello Concerto in G Major: III. Largo - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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Cello Concerto in G Major: IV. A tempo giusto - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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Oboe Concerto in D Minor: I. Allegro moderato - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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Oboe Concerto in D Minor: II. Adagio - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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Oboe Concerto in D Minor: III. Allegro - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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Violin Concerto in B Minor, D. 125: I. Allegro assai - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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Violin Concerto in B Minor, D. 125: II. Alrghetto, "Lascia ch'io dica addio" - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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Violin Concerto in B Minor, D. 125: III. Allegro - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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Viola Concerto in G Major, TWV 51:G9: I. Largo - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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Viola Concerto in G Major, TWV 51:G9: II. Allegro - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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Viola Concerto in G Major, TWV 51:G9: III. Andante - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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Viola Concerto in G Major, TWV 51:G9: IV. Presto - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann -
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The Tempest, The First Musick: I. Introduction - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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The Tempest, The First Musick: II. Galliard - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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The Tempest, The First Musick: III. Gavot - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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The Tempest, The Second Musick: IV. Saraband - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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The Tempest, The Second Musick: V. Lilk - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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If Music be the Food of Love, Z.379b - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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Draw Near, You Lovers, Z.462 - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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Dioclesian, Z.627, Act 5: "Oh! the Sweet Delights of Love" - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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The Tempest, The Second Musick: VI. Curtain Tune - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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The Tempest, The Second Musick: VII. The First Act Tune "Rustick Air" - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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The Tempest, The Second Musick: VIII. The Second Act Tune "Minoit" - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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The Tempest, The Second Musick: IX. The Third Act Tune "Corant" - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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The Tempest, The Second Musick: X. The Fourth Act Tune "A Martial Jigge" - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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The Tempest, The Second Musick: XII. The Conclusion "A Canon 4 in 2" - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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Oedipus, Z.583: II. Song. Musick for a While - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
Harry Bicket
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Oh! Fair Cedaria, Hide Those Eyes, Z.402 - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
Harry Bicket
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Pausanius, Z.585: No. 2, My Dearest, My Fairest - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
Harry Bicket
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Chaconne in G Major - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
Harry Bicket
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Oh Solitude, Z.406 - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
Harry Bicket
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Pausanius, Z.585: No. 1, Sweeter than Roses - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
Harry Bicket
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Fantasy-Suite in D Minor: I. Fantasy - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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Fantasy-Suite in D Minor: II. Allman - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
Harry Bicket
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Fantasy-Suite in D Minor: III. Galliard - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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The Fairy Queen, Z.629, Act 2: "One Charming Night" - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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The Fairy Queen, Z.629, Act 5: "The Plaint" - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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The Female Virtuosos, Z.596: "Love, Thou art Best" - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
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The Fairy Queen, Z.629, Act 5: Chaconne - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
Harry Bicket
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The Fairy Queen, Z.629, Act 5: "They Shall be as Happy as They're Fair" - Purcell / Locke / Blow / Gibbons - Wigmore Hall Live -
Harry Bicket
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