Traditional
A tradition is a system of beliefs or behaviors (folk custom) passed down within a group of people or society with symbolic meaning or special significance with origins in the past. A component of cultural expressions and folklore, common examples include holidays or impractical but socially meaningful clothes (like lawyers' wigs or military officers' spurs), but the idea has also been applied to social norms and behaviors such as greetings. Traditions can persist and evolve for thousands of years. The word tradition itself derives from the Latin word tradere literally meaning to transmit, to hand over, to give for safekeeping. While it is reportedly assumed that traditions have an ancient history, many traditions have been invented on purpose, whether it be political or cultural, over short periods of time. Various academic disciplines also use the word in a variety of ways.
The phrase "according to tradition" or "by tradition" usually means that what follows is known only through oral tradition and is not supported (and might even be refuted) by solid evidence. Here, "tradition" describes the source or nature of the information. For example, "According to tradition, Homer was born on Chios, but many other places have historically claimed him as theirs." This tradition may never be proven or disproved. Another example is, "King Arthur, according to history, a true British king, has inspired many well loved stories." Whether the claims are supported by evidence or not does not reduce their value as cultural history and literature.
Traditions are subject of study in several academic fields of learning, especially in the humanities and social sciences, including anthropology, archaeology, history, and sociology. The conceptualization of tradition, as the notion of holding on to a previous time, is also found in political and philosophical discourse. For example, it is the basis of the political concept of traditionalism, and also strands of many world religions including traditional Catholicism. In artistic contexts, tradition is used to decide the correct display of an art form. For example, in the performance of traditional genres (such as traditional dance), adherence to guidelines dictating how an art form should be composed are given greater importance than the performer's own preferences. A host of factors can exacerbate the loss of tradition, including industrialization, globalization, and the assimilation or marginalization of specific cultural groups. In response to this, tradition-preservation attempts and initiatives have now been started in many countries around the world, focusing on aspects such as traditional languages. Tradition is usually contrasted with the goal of modernity and should be differentiated from customs, conventions, laws, norms, routines, rules and similar concepts.
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Bartók: 6 Romanian Folk Dances, Sz. 56: No. 1, Jocul cu bâtă (Arr. Székely for Violin and Piano) - The Menuhin Century - The Historic Recordings -
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Bartók: 6 Romanian Folk Dances, Sz. 56: No. 2, Brâul (Arr. Székely for Violin and Piano) - The Menuhin Century - The Historic Recordings -
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Bartók: 6 Romanian Folk Dances, Sz. 56: No. 3, Pê-loc (Arr. Székely for Violin and Piano) - The Menuhin Century - The Historic Recordings -
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Bartók: 6 Romanian Folk Dances, Sz. 56: No. 4, Buciumeana (Arr. Székely for Violin and Piano) - The Menuhin Century - The Historic Recordings -
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Bartók: 6 Romanian Folk Dances, Sz. 56: No. 5, Poarga românească (Arr. Székely for Violin and Piano) - The Menuhin Century - The Historic Recordings -
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Bartók: 6 Romanian Folk Dances, Sz. 56: No. 6, Mărunţel (Arr. Székely for Violin and Piano) - The Menuhin Century - The Historic Recordings -
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Gade: Jealousy - The Menuhin Century - The Historic Recordings -
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Rodgers: The Blue Room - The Menuhin Century - The Historic Recordings -
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Kern: A Fine Romance - The Menuhin Century - The Historic Recordings -
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Grappelli: Billy - The Menuhin Century - The Historic Recordings -
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Gershwin: Love Is Here to Stay - The Menuhin Century - The Historic Recordings -
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Grappelli: Aurore - The Menuhin Century - The Historic Recordings -
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Kern: Pick Yourself Up - The Menuhin Century - The Historic Recordings -
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Porter: Night and Day - The Menuhin Century - The Historic Recordings -
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McHugh: I Can't Believe That You Are in Love with Me - The Menuhin Century - The Historic Recordings -
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Strachey: These Foolish Things - The Menuhin Century - The Historic Recordings -
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Grappelli: Errol - The Menuhin Century - The Historic Recordings -
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Gershwin: Oh, Lady Be Good - The Menuhin Century - The Historic Recordings -
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Grappelli: Jermyn Street - The Menuhin Century - The Historic Recordings -
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Berlin: Cheek to Cheek - The Menuhin Century - The Historic Recordings -
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Rodgers: The Lady Is a Tramp - The Menuhin Century - The Historic Recordings -
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Gershwin: 'S Wonderful - The Menuhin Century - The Historic Recordings -
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Gershwin: Summertime - The Menuhin Century - The Historic Recordings -
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Grappelli: Menuet pour Menuhin - The Menuhin Century - The Historic Recordings -
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Youmans: Tea for Two - The Menuhin Century - The Historic Recordings -
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Harris: Viva Vivaldi - The Menuhin Century - The Historic Recordings -
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Harris: Air on a Shoestring - The Menuhin Century - The Historic Recordings -
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Gershwin: The Man I Love - The Menuhin Century - The Historic Recordings -
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Grappelli: Coucou - The Menuhin Century - The Historic Recordings -
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Bloch: Baal Shem: II. Nigun - The Menuhin Century - The Historic Recordings -
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Mozart: Violin Concerto No. 4 in D Major, K. 218: I. Allegro (Cadenza by Menuhin) - The Menuhin Century - The Historic Recordings -
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Mozart: Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile - The Menuhin Century - The Historic Recordings -
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Mozart: Violin Concerto No. 4 in D Major, K. 218: III. Rondeau. Andante grazioso - Allegro ma non troppo (Cadenza by Menuhin) - The Menuhin Century - The Historic Recordings -
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Beethoven: Romance for Violin and Orchestra No. 1 in G Major, Op. 40 - The Menuhin Century - The Historic Recordings -
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Beethoven: Romance for Violin and Orchestra No. 2 in F Major, Op. 50 - The Menuhin Century - The Historic Recordings -
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Saint-Saëns: Introduction & Rondo capriccioso in A Minor, Op. 28 - The Menuhin Century - The Historic Recordings -
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Wieniawski: Scherzo-tarantelle in G Minor, Op. 16 - The Menuhin Century - The Historic Recordings -
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Nováček: Perpetuum mobile - The Menuhin Century - The Historic Recordings -
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Sarasate: Zigeunerweisen, Op. 20 - The Menuhin Century - The Historic Recordings -
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Tchaikovsky: Sérénade mélancolique, Op. 26 - The Menuhin Century - The Historic Recordings -
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Dvořák: 8 Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor (Arr. Kreisler for Violin and Piano) - The Menuhin Century - The Historic Recordings -
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Kreisler: Caprice viennois, Op. 2 - The Menuhin Century - The Historic Recordings -
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Debussy: Préludes, Livre I, CD 125, L. 117: No. 8, La fille aux cheveux de lin (Arr. Hartmann for Violin and Piano) - The Menuhin Century - The Historic Recordings -
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Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato - The Menuhin Century - The Historic Recordings -
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Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante - The Menuhin Century - The Historic Recordings -
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Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace - The Menuhin Century - The Historic Recordings -
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Lalo: Symphonie espagnole in D Minor, Op. 21: I. Allegro non troppo - The Menuhin Century - The Historic Recordings -
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Lalo: Symphonie espagnole in D Minor, Op. 21: II. Scherzando. Allegro molto - The Menuhin Century - The Historic Recordings -
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Lalo: Symphonie espagnole in D Minor, Op. 21: III. Intermezzo. Allegretto non troppo - The Menuhin Century - The Historic Recordings -
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Lalo: Symphonie espagnole in D Minor, Op. 21: IV. Andante - The Menuhin Century - The Historic Recordings -
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The Warning - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Windham - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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The Judgement Day - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Greenwich - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Wrestle - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Canterbury New - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Edom - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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I Shall Be Satisfied - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Milford - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Star in the East - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Bonnie Doone - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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O Come, Come Away - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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School Hymn - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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The Gospel Feast - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Go Worship at Emmanuel's Feet - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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John Anderson My Jo - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Go When the Morning Shineth - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Captain Robert Kidd - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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How Precious Is the Name - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Roll Call - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Glad Tidings - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Deal Gently with Thy Servants - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Shall We Gather at the River - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Happy Land - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Burst Ye Emerald Gates - The American Vocalist. Spirituals and Folk Hymns, 1850-1870 -
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Alma Redemptoris Mater (Liber Usualis) - Graduale Project: Year 12, Pt. 1 -
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Offertorium: Veritas mea - Graduale Project: Year 12, Pt. 1 -
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Communio: Gloriosa dicta sunt de te - Graduale Project: Year 12, Pt. 1 -
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Graduale: Ecce sacerdos magnus - Graduale Project: Year 12, Pt. 1 -
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Graduale: Dilexisti iustitiam - Graduale Project: Year 12, Pt. 1 -
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Alleluia: Beatus vir, qui timet - Graduale Project: Year 12, Pt. 1 -
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Offertorium: Elegerunt Apostoli - Graduale Project: Year 12, Pt. 1 -
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Alleluia: Hic est discipulus ille - Graduale Project: Year 12, Pt. 1 -
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Alleluia: Gaudete iusti in Domino - Graduale Project: Year 12, Pt. 1 -
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Offertorium: Felix namque es - Graduale Project: Year 12, Pt. 1 -
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Introitus: Os iusti meditabitur sapientiam - Graduale Project: Year 12, Pt. 1 -
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Missa 1: Kyrie 2 (Te Christe rex supplices) - Graduale Project: Year 12, Pt. 1 -
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Alleluia: Senex puerum portabat - Graduale Project: Year 12, Pt. 1 -
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Offertorium: Sperent in te omnes - Graduale Project: Year 12, Pt. 1 -
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Graduale: Uxor tua - Graduale Project: Year 12, Pt. 1 -
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Alleluia: Mittat vobis Dominus - Graduale Project: Year 12, Pt. 1 -
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Introitus: Deus Israel conjugat vos - Graduale Project: Year 12, Pt. 1 -
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Graduale: Exaltabo te - Graduale Project: Year 12, Pt. 1 -
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Introitus: Lex Domini irreprehensibilis - Graduale Project: Year 12, Pt. 1 -
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Offertorium: Inveni david - Graduale Project: Year 12, Pt. 1 -
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Tractus: Ab ortu solis - Graduale Project: Year 12, Pt. 1 -
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Communio: Quicumque fecerit voluntatem - Graduale Project: Year 12, Pt. 1 -
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Canticum (Tractus): Attende caelum - Graduale Project: Year 12, Pt. 1 -
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Canticum (Tractus): Sicut cervus - Graduale Project: Year 12, Pt. 1 -
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Communio: Fidelis servus et prudens - Graduale Project: Year 12, Pt. 1 -
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Introitus: Ecce oculi Domini - Graduale Project: Year 12, Pt. 1 -
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Regina caeli (Liber Usualis) - Graduale Project: Year 12, Pt. 1 -
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Graduale: Os iusti meditabitur - Graduale Project: Year 12, Pt. 1 -
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Introitus: Sancti tui - Graduale Project: Year 12, Pt. 1 -
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Communio: Ultimo festivitatis die - Graduale Project: Year 12, Pt. 1 -
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Alleluia: Deus iudex iustus - Graduale Project: Year 12, Pt. 1 -
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Graduale: Dulcis et rectus - Graduale Project: Year 12, Pt. 1 -
Traditional
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