Philip Langridge
-
Billy Budd, Op. 50, Prologue: I am an old man… (Vere) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act I Scene 1: I heard, your honour! (Claggart, Squeak, Novice's Friend) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act II Scene 1: I don't like the look of the mist… (Vere, Mr Redburn) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act I Scene 1: Pull, me bantams! (First Mate, Second Mate, Mr Flint, Bosun, Donald, Maintop, Novice, Squeak, Chorus) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act I Scene 1: Come along, kid! (Novice's Friend, Novice, Chorus) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act II Scene 1: With great regret I must disturb your honour (Claggart, Vere) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act I Scene 1: Boat ahoy! (Maintop, Mr Flint, Mr Redburn, Bosun, Mr Ratcliffe, Midshipmen) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act I Scene 1: Christ! The poor chap… (Billy, Dansker, Red Whiskers, Donald) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act II Scene 1: Deck ahoy! (Maintop, Bosun, Mr Flint, Mr Redburn, Mr Ratcliffe, Vere, Chorus) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act I Scene 1: First man forward! (Claggart, Red Whiskers,Mr Redburn, Mr Flint, Jones) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act I Scene 1: What's that? What's those whistles? (Billy, Donald, Claggart, First Mate, Second Mate, Bosun) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act II Scene 1: Volunteers! Call for boarding volunteers! (Vere, Mr Redburn, Donald, Red Whiskers, Dansker, Billy, Mr Flint, Mr Ratcliffe, Chorus) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act I Scene 1: Your name? (Claggart, Billy, Mr Redburn, Mr Flint) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act I Scene 1: Starry Vere we call him (Donald, Billy, Red Whiskers, Dansker, Bosun, Chorus) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act II Scene 1: There you are again, Master-at-Arms (Vere, Claggart, Boy) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act I Scene 1: Billy Budd, king of the birds! (Billy, Mr Flint, Mr Redburn, Mr Ratcliffe) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act I Scene 2: Boy! (Vere, Boy) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act II Scene 1: Oh, this cursed mist! (Vere, Mr Redburn, Mr Flint, Mr Ratcliffe) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act I Scene 2: Gentlemen, the King! (Vere, Mr Redburn, Mr Flint) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act II Scene 2: Claggart, John Claggart, beware! (Vere, Billy) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act I Scene 2: Ay, at Spithead… (Vere, Mr Redburn, Mr Flint) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act II Scene 2: Master-at-Arms and foretopman… (Vere, Claggart, Billy) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act I Scene 2: We are, sir. Claggart is an able one (Mr Redburn, Vere, Mr Flint, Mr Ratcliffe) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act II Scene 2: God o' mercy! (Vere, Boy) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act I Scene 3: Blow her away (Red Whiskers, Billy, Donald, Dansker, Chorus) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act II Scene 2: Gentlemen, William Budd here… (Vere, Mr Redburn, Mr Flint, Mr Ratcliffe) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act I Scene 3: We're off to Samoa… (Donald, Billy, Red Whiskers, Dansker, Chorus) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act II Scene 2: William Budd, you are accused… (Mr Redburn, Vere, Billy) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act I Scene 3: Hi! You… a… a…! (Billy, Dansker, Red Whiskers, Donald, Squeak, Claggart, Boy, Chorus) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act II Scene 2: Poor fellow, who could save him? (Mr Redburn, Mr Flint, Mr Ratcliffe) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act I Scene 3: Over the water… (Claggart, Chorus) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act II Scene 2: I accept their verdict (Vere) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act I Scene 3: Come here (Claggart, Novice) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act II Scene 3: Look! Through the port (Billy) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act I Scene 3: Billy!... Hist! Billy Budd! (Novice, Billy) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act II Scene 3: Here! Baby! (Dankser, Billy) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act I Scene 3: Dansker, old friend… (Billy, Dansker) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act II Scene 3: And farewell to ye… (Billy) - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act II Scene 4: Interlude - Britten: Billy Budd -
Philip Langridge
-
Billy Budd, Op. 50, Act II Scene 4: According to the Articles of War (All except Vere) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Act II Scene 4: Down all hands! (Mr Redburn, Mr Flint, Mr Ratcliffe, Chorus) - Britten: Billy Budd -
Philip Langridge
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Billy Budd, Op. 50, Epilogue: We committed his body to the deep (Vere) - Britten: Billy Budd -
Philip Langridge
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King Priam, Act I: Prelude (Chorus) - Tippett: King Priam -
Philip Langridge
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King Priam, Act III Scene 1: Lady Andromache, should we not light the fire? (Serving Woman, Andromache) - Tippett: King Priam -
Philip Langridge
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King Priam, Act I Scene 1: What is it, Nurse? (Hecuba, Nurse, Priam) - Tippett: King Priam -
Philip Langridge
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King Priam, Act III Scene 1: Daughter Andromache, you must go out… (Hecuba, Andromache) - Tippett: King Priam -
Philip Langridge
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King Priam, Act I Scene 1: Old man of Troy, you're welcome (Priam, Old Man) - Tippett: King Priam -
Philip Langridge
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King Priam, Act III Scene 1: Did you hear? (Andromache, Helen, Hecuba) - Tippett: King Priam -
Philip Langridge
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King Priam, Act I Scene 1: Than am I no longer mother to this child (Hecuba, Old Man) - Tippett: King Priam -
Philip Langridge
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King Priam, Act III Scene 1: Let her rave (Helen) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act I Scene 1: A father and a King (Priam) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act III Scene 1: O that my ears should hear impiety so gross! (Hecuba, Andromache, Helen) - Tippett: King Priam -
Philip Langridge
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King Priam, Act I Scene 1: The Queen is right (Priam) - Tippett: King Priam -
Philip Langridge
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King Priam, Act III Scene 1: Now you shall go (Andromache, Hecuba, Serving Woman) - Tippett: King Priam -
Philip Langridge
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King Priam, Act I Scene 1: Interlude I. Thus shall a story begin (Nurse, Old Man, Young Guard) - Tippett: King Priam -
Philip Langridge
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King Priam, Act III Scene 1: Interlude I. No… No… No… We have it from the runner (Serving Women) - Tippett: King Priam -
Philip Langridge
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King Priam, Act I Scene 2: The bull is away over there (Huntsmen, Hector, Priam) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act III Scene 2: What is happening? (Priam, Paris) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act I Scene 2: They have taken my bull (Paris, Hector) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act III Scene 2: A crime (Young Guard, Old Man, Priam) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act I Scene 2: Father, he's a shepherd boy (Hector, Priam, Paris) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act III Scene 2: The soul will answer from where the pain is quickest (Nurse, Priam, Young Guard, Old Man) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act I Scene 2: So I'd hoped it might be (Priam, Old Man) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act III Scene 2: Interlude II - Tippett: King Priam -
Philip Langridge
-
King Priam, Act I Scene 2: Interlude II. Ah, but life, life is a bitter charade (Nurse, Young Guard, Old Man, Wedding Guests) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act III Scene 3: Priam! Here! What is this? (Achilles, Priam) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act I Scene 2: Ah, ah… (Helen, Paris) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act III Scene 3: I clasp your knees, Achilles (Priam) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act I Scene 2: Divine go-between, that's who I am (Hermes, Paris) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act III Scene 3: Old man, I am touched (Achilles, Priam) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act I Scene 2: Lady Athene, if I honour you… (Paris, Athene) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act III Scene 3: Interlude III - Tippett: King Priam -
Philip Langridge
-
King Priam, Act I Scene 2: Lady Hera, if I honour you… (Paris, Hera, Hermes) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act III Scene 4: Where is my father, where is Priam? (Paris, Priam) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act I Scene 2: Aphrodite, if I honour you… (Paris, Aphrodite, Hera, Athene, Hermes) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act III Scene 4: Ah, ah! Ah, ah! (Hecuba, Paris, Priam) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act II Scene 1: So you've given up fighting! (Hector, Priam) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act III Scene 4: Ah, ha, ha, ha (Andromache, Paris, Priam) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act II Scene 1: So Trojans honour Menelaus… (Priam, Paris) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act III Scene 4: Ah, ah! (Paris, Helen, Priam) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act II Scene 1: Interlude I. Hermes, Hermes, with the winged feet come quick! (Old Man, Hermes) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act II Scene 2: O rich-soiled land (Achilles) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act II Scene 2: Why are you weeping, Patroclus? (Achilles, Patroclus) - Tippett: King Priam -
Philip Langridge
-
King Priam, Act II Scene 2: Interlude II. O, o, what a threat to Troy (Old Man, Hermes) - Tippett: King Priam -
Philip Langridge
-
King Priam, Ac II Scene 3: A hero in Achilles' armour… (Hermes, Paris, Priam) - Tippett: King Priam -
Philip Langridge
-
King Priam, Ac II Scene 3: All Trojans, all fought bravely (Hector, Priam, Paris, Achilles, Old Man) - Tippett: King Priam -
Philip Langridge
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The Beggar's Opera - Realised Britten, Op. 43 / Prologue: "If Poverty Be a Title To Poetry" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Prologue: Overture - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "Through All the Employments Of Life" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "'Tis Woman That Seduces All Mankind" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "Women Are Bitter Bad Judges In These Cases...If Any Wench Venus' Girdle Wear" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "If Love the Virgin's Heart Invade" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "A Maid Is Like The Golden Ore" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "I Know As Well As Any Of the Fine Ladies...Virgins Are Like the Fair Flower In Its Lustre" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "Our Polly Is a Sad Slut" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "Can Love Be Controll'd By Advice" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "The Girl Shows Such a Readiness...O Polly, You Might Have Toyed and Kissed" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "I, Like a Ship In Storms, Was Tossed" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "A Fox May Steal Your Hens, Sir" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "O Ponder Well, Be Not Severe...The Turtle Thus With Plaintive Crying" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "Now I Am a Wretch Indeed...Pretty Polly Say" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "My Heart Was So Free" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "Were I Laid On Greenland's Coast" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "O! What Pain It Is To Part!" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "The Miser Thus a Shilling Sees" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 1: "And Now Our Scene Changes...Fill Ev'ry Glass" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "Success Attend You...Let Us Take the Road" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "If the Heart Of a Man Is Depressed With Cares" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "Dear Mrs Coaxer, You're Welcome...Youth's the Season Made For Joys" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "It Is Your Own Choice...Before the Barn Door Crowing" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "But To Be Sure...The Gamesters and Lawyers Are Jugglers Alike...At the Tree I Shall Suffer With Pleasure" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "Noble Captain, You Are Welcome Once More...Man May Escape From Rope and Gun" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "Thus When a Good Housewife Sees a Rat" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "It Is the Pleasure Of All You Fine Men...How Cruel Are the Traitors" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "The First Time At the Looking-Glass" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "Fortune Be With You, Lucy" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "Such Language, Brother! ...When You Censure the Age" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "Is Then His Fate Decreed, Sir?" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "O Macheath! I Will Stay With Thee Till Death...Thus When the Swallow" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "Shall I Not Claim My Own?...How Happy Could I Be With Either" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "Really, Miss Peachum, You Expose Yourself!...Cease Your Funning" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "Why How Now, Madam Flirt?" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 2: "No Pow'r On Earth Can E'er Divide" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 3: "But All Scores Have a Reckoning" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 3: "Dear Sir, Mention Not My Education...When Young At the Bar" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 3: "Ungrateful Macheath!" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 3: "Thus Gamesters United In Friendship" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 3: "And Macheath, At Liberty and At Large...The Modes Of the Court" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 3: "And Those Two Good Old Friends" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 3: "Bring Us Then More Liquor!...What Gudgeons Are We Men" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 3: "In the Days Of My Youth" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 3: "Jealousy, Rage, Love and Fear...I'm Like a Skiff On the Ocean Tossed" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 3: "A Curse Attends a Woman's Love" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 3: "But Perhaps He Hath a Heart Not Capable Of It...Among the Men Coquets We Find" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 3: "Come, Sweet Lass, Let's Banish Sorrow" - Gay-Britten: The Beggar's Opera -
Philip Langridge
-
The Beggar's Opera - Realised Britten, Op. 43 / Act 3: "What Do I See! Oh! Macheath Again In Custody!...Hither, Dear Husband, Turn Your Eyes" - Gay-Britten: The Beggar's Opera -
Philip Langridge
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