Eduardo Mata

• classical

Mozart: Piano Concertos Nos. 20 & 22 - 2018-08-17T00:00:00.000000Z

• Piano Concerto No. 20, KV 466: I. Allegro - Mozart: Piano Concertos Nos. 20 & 22 - Eduardo Mata
• Piano Concerto No. 20, KV 466: II. Romance - Mozart: Piano Concertos Nos. 20 & 22 - Eduardo Mata
• Piano Concerto No. 20, KV 466: III. Rondo: Allegro Assai - Mozart: Piano Concertos Nos. 20 & 22 - Eduardo Mata
• Piano Concerto No. 22 in E-Flat, K.482: I. Allegro - Mozart: Piano Concertos Nos. 20 & 22 - Eduardo Mata
• Piano Concerto No. 22 in E-Flat, K.482: II. Andante - Mozart: Piano Concertos Nos. 20 & 22 - Eduardo Mata
• Piano Concerto No. 22 in E-Flat, K.482: III. Allegro - Mozart: Piano Concertos Nos. 20 & 22 - Eduardo Mata

Ravel: Daphnis et Chloe & Mother Goose Suite - 2015-02-22T00:00:00.000000Z

• Daphnis et Chloe, M. 57, Tableau I: Invocation to the Nymphms - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau I: Entrance of Daphnis et Chloe - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau I: Dance of the Young Girls Around Daphnis - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau I: Dorcon's Advance to Chloe - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau I: Daphnis Reasserts His Love for Chloe - The Dorcon-Daphnis Dance - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau I: Dorcon's Grotesque Dance - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau I: The Gracious Dance of Chloe - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau I: The Triumph of Daphnis and the Ecstatic Uninon with Chloe - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau I: Entrance of the Temptress Lyceion and the Dance of Veils - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau I: The Invasion of the Pirates and Dophnis' Unsuccessful Efforts to Save Chloe - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau I: Invocation to Pan by the Nymphs and the Prayer of Daphnis - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau II: Interlude - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau II: The Orgiastic Dance of the Pirates - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau II: Bryaxis orders Chloe to Be Brought Forward to Dance - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau II: Chloe's Dance of Supplication - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau II: Creatures of Pan Appear and Frighten the Pirates Who Fell in Terror, Leaving Chloe Alone with a Shining Crown - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau III: Sunrise - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau III: Daphnis and Chloe Are Reunited - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau III: Lammon Tells How Pan Saved Chloe in Memory of His Love for the Nymph, Syrinx - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau III: Pan Fashions a Flute Some Reeds, on Which He Declares His Love for Syrinx - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau III: Abandoning Their Roles, the Lovers Embrace and Kneel at the Alter of the Nymphs - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau III: Girls Dressed as Bacchantes Enter with Tomborines - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Daphnis et Chloe, M. 57, Tableau III: Young Men Invade the Scende, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Mother Goose Suite, M. 60: No. 1, Pavan of the Sleeping Beauty - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Mother Goose Suite, M. 60: No. 2, Hop-o'- My Thumb - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Mother Goose Suite, M. 60: No. 3, Laideronette, Empress of the Pagodas - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Mother Goose Suite, M. 60: No. 5, Beauty and the Beast Converse - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata
• Mother Goose Suite, M. 60: No. 6, Fairy Garden - Ravel: Daphnis et Chloe & Mother Goose Suite - Eduardo Mata

Eduardo Mata: Edición Conmemorativa 2012 - 2012-09-12T00:00:00.000000Z

• Concierto para Piano y Orquesta de Alientos: I. Largo - Allegro - Eduardo Mata: Edición Conmemorativa 2012 - Eduardo Mata
• Concierto para Piano y Orquesta de Alientos: II. Largo - Eduardo Mata: Edición Conmemorativa 2012 - Eduardo Mata
• Concierto para Piano y Orquesta de Alientos: III. Allegro - Eduardo Mata: Edición Conmemorativa 2012 - Eduardo Mata
• Serenata No. 10, KV 361 "Gran Partita": I. Largo - Allegro Molto - Eduardo Mata: Edición Conmemorativa 2012 - Eduardo Mata
• Serenata No. 10, KV 361 "Gran Partita": II. Minuetto - Trio I - II - Eduardo Mata: Edición Conmemorativa 2012 - Eduardo Mata
• Serenata No. 10, KV 361 "Gran Partita": III. Adagio - Eduardo Mata: Edición Conmemorativa 2012 - Eduardo Mata
• Serenata No. 10, KV 361 "Gran Partita": IV. Minuetto I - II - Eduardo Mata: Edición Conmemorativa 2012 - Eduardo Mata
• Serenata No. 10, KV 361 "Gran Partita": V. Romanza - Eduardo Mata: Edición Conmemorativa 2012 - Eduardo Mata
• Serenata No. 10, KV 361 "Gran Partita": VI. Tema con Variaciones - Eduardo Mata: Edición Conmemorativa 2012 - Eduardo Mata
• Serenata No. 10, KV 361 "Gran Partita": VII. Rondo (Allegro Molto) - Eduardo Mata: Edición Conmemorativa 2012 - Eduardo Mata

Schumann, R.: Piano Cocnerto, Op. 54 / BRAHMS, J.: Piano Concerto No. 1 - 2011-02-01T00:00:00.000000Z

• Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso - Schumann, R.: Piano Cocnerto, Op. 54 / BRAHMS, J.: Piano Concerto No. 1 - Eduardo Mata
• Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso - Schumann, R.: Piano Cocnerto, Op. 54 / BRAHMS, J.: Piano Concerto No. 1 - Eduardo Mata
• Piano Concerto in A Minor, Op. 54: III. Allegro vivace - Schumann, R.: Piano Cocnerto, Op. 54 / BRAHMS, J.: Piano Concerto No. 1 - Eduardo Mata
• Piano Concerto No. 1 in D Minor, Op. 15: I. Maestoso - Schumann, R.: Piano Cocnerto, Op. 54 / BRAHMS, J.: Piano Concerto No. 1 - Eduardo Mata
• Piano Concerto No. 1 in D Minor, Op. 15: II. Adagio - Schumann, R.: Piano Cocnerto, Op. 54 / BRAHMS, J.: Piano Concerto No. 1 - Eduardo Mata
• Piano Concerto No. 1 in D Minor, Op. 15: III. Rondo. Allegro non troppo - Schumann, R.: Piano Cocnerto, Op. 54 / BRAHMS, J.: Piano Concerto No. 1 - Eduardo Mata

Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome - 2011-02-01T00:00:00.000000Z

• Feste romane, P. 157: I. Circenses - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome - Eduardo Mata
• Feste romane, P. 157: II. Il Giubileo - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome - Eduardo Mata
• Feste romane, P. 157: III. L'Ottobrata - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome - Eduardo Mata
• Feste romane, P. 157: IV. La Befana - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome - Eduardo Mata
• Impressioni brasiliane, P. 153: No. 1, Notte Tropicale (Tropical Night) - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome - Eduardo Mata
• Impressioni brasiliane, P. 153: No. 2, Butantan (In a snake-garden near Sao Paulo) - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome - Eduardo Mata
• Impressioni brasiliane, P. 153: No. 3, Canzone e Danza (Song and Dance) - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome - Eduardo Mata
• Pines of Rome, P. 141: I. I pini di Villa Borghese (the Pines of the Villa Borghese) - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome - Eduardo Mata
• Pines of Rome, P. 141: II. Pini presso una catacomba (Pines Near a Catacomb) - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome - Eduardo Mata
• Pines of Rome, P. 141: III. I pini del Gianicolo (the Pines of the Janiculum) - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome - Eduardo Mata
• Pines of Rome, P. 141: IV. I pini della via Appia (the Pines of the Appian Way) - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome - Eduardo Mata

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